An aging, down-on-his-luck ex-minor leaguer coaches a team of misfits in an ultra-competitive California little league.
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Jodie Grant is a Los Angeles newscaster – until an on-air blunder puts her career in jeopardy. Given a last-chance assignment to find the perfect holiday story, she soon faces a choice between saving her job and following her heart.
15-year-old Mike takes a job at the local swimming baths, where he becomes obsessed with an attractive young woman, Susan, who works there as an attendant. Although Susan has a fiancé, Mike does his best to sabotage the relationship, to the extent of stalking both her and her fiancé.
Set in 1896, “Tjoet Nja’ Dhien” celebrates one of Indonesia’s great heroes who fought for independence from the Dutch. The pious Muslim people of Aceh, a city that had flourished since ancient times as a trade port, enter into a fierce war with the Dutch. Tjoet Nja’ Dhien, the widow of a rebel leader operating in Aceh in Sumatra, assumes the leadership when her husband Teuku Uma is killed in an ambush. Dhien’s charismatic presence and power of survival motivate the locals to join and later continue their opposition to the Dutch. Despite personal obstacles, she remained in the thick of the struggle for ten years.
Set in the early ’80s and ’90s in Gujarat, India, ‘Raees’ is a fictitious story of a crime lord named Raees, who builds an entire empire from scratch, and a police officer who is determined to bring him down.
In the midst of family tensions, an egocentric free spirit who hits rock bottom finds unexpected success as a self-empowerment guru after publishing a self-help book.
How to be a son, whose parents ask every day whom he loves more? Mother or father? How to be a mother if she madly loves her son, but circumstances compel her to take away the child from his father? How to be a father if his son is taken away to America forever, and he can’t imagine a life without him? This is a story about choice. Parents who decide for their children more than often act as best suits them. The child agrees, afraid to cause pain, but time will pass and the child will mature and at some point decide for himself. Only for the parents this is a lot more painful.
The neurotic Fikret and tavern singer Solmaz, whose 21 year long relationships end on the same day, meet through a funny coincidence. When Solmaz’s daughter Zeynep decides to marry her lover from Adana, the ever-fearful Fikret ends up having to play the role of his life. Intended at first to be kept in the family, the wedding becomes a much bigger event upon the insistence of the groom’s relatives. Can our heroes come to terms with the traditional Adana family who carry guns and own a kebab restaurant chain, and see the wedding through without mishaps?
A first-of-its-kind for her village, Babli takes up a bouncer’s job to win over her love, leading to a series of funny and heart-warming events.
This titillating bit of pulp sensationalism was the last in a string of “B” films that Cleo Moore starred in at Columbia. Moore plays Lila Crane, an ambitious clip-joint floozie turned photographer with flexible morals and a penchant for fast money.
A farmer and the mesmerizing girl next door find the path to true love anything but smooth.
CHOIR GIRL is a gritty drama about a lonely photographer, Eugene, who becomes obsessed with an underage prostitute, Josephine, in his rundown neighbourhood. She has escaped a worn-torn country only to be trapped in the illegal sex trade by corruption and a powerful underworld criminal named Daddy. Yet for Eugene, Josephine represents a symbol of purity in the darkness – when he takes her photograph there is something captivating about her and she quickly becomes his muse.