Having to prove the existence of God to an atheist is like having to prove the existence of the sun, at noon on a clear day. Yet millions are embracing the foolishness of atheism. “The Atheist Delusion” pulls back the curtain and reveals what is going on in the mind of those who deny the obvious. It introduces you to a number of atheists who you will follow as they go where the evidence leads, find a roadblock, and enter into a place of honesty that is rarely seen on film.
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Three men enter the new wild west of baby making, online forums where sperm donors connect with hopeful parents, but find themselves exchanging more than just genetic material.
Follow Willie Mays’ life both on and off the field over five decades as he navigated the American sports landscape and the country’s ever-evolving cultural backdrop, all while helping to define what it means to be one of America’s first Black sports superstars. He left an indelible mark in New York City and San Francisco, building a love affair with both cities’ fans.
Imagine a world where video games reign supreme. Five story buildings filled with arcade cabinets, old and new, inundate the streets. Welcome to downtown Tokyo, Japan. A place where the arcades of the 80s and 90s not only still exist, but thrive and have evolved into an elaborate, unmatchable gaming experience. 100 Yen is a historical documentary about the evolution of arcades and the culture surrounding it – from the birth of arcades to the game centers that still thrive today. With a predominant focus on the three major arcade genres, Shooting games, Fighting games and Rhythm games, 100 Yen explores the culture and evolution of arcades through the past and present. Featuring interviews with industry professionals, game programmers and designers, casual gamers and gaming icons from Japan, Canada, and the USA.
Ashrita Furman holds the official record for the most Guinness World Records by one individual, including marks for “Largest Hula Hoop,” “Most Apples Sliced in Mid-Air with a Samurai Sword,” and “Longest Distance Bicycling Underwater.” A health food store owner and devotee of meditation, Furman travels the world creating new categories for record achievement. In The Record Breaker we meet Furman, a singularly driven character, and his merry band of compatriots (including Champ the dog) as he’s about to attempt to climb Machu Picchu on stilts.
Isolation Man is a film about super-powered human called ‘the Exquisite Vanishteer’, has caused a catastrophe by making the population of the western hemisphere disappear. The remaining eastern journalistic community interviews and follows up on the superhuman to discover his humanity… before United Nation forces move in to neutralize him.
As America chooses its next president in the midst of a historic pandemic, FRONTLINE investigates whose vote counts – and whose might not.
Documentarian Alexandra Pelosi offers a candid, behind-the-scenes chronicle of the life of her mother and Speaker of the United States House of Representatives, Nancy Pelosi, through her career milestones leading up to the inauguration of President Joseph Biden in January 2021.
Veteran suicide is a national tragedy on an epic scale.A remarkable treatment is proving more powerful than ever imagined: Pairing veterans with wild mustangs taken straight off the range; miraculously turning despair into enduring hope.
For all the shame we hide For all the blame assigned It’s time we have our say On how we are defined
Jason Osder makes an impressive feature film debut through his unbiased and thorough account of the incidents leading up to and during the 1985 standoff between the extremist African-American organization MOVE and Philadelphia authorities. The dramatic clash claimed eleven lives and literally and figuratively devastated an entire community. Let the Fire Burn is a real-life Wild West story absent the luxury of identifying its heroes by the color of their hats.
The playwright Brian Friel stands among the giants of Irish literature. From the 1980s onwards, he withdrew from media and public life. This film sets out to show, through family, friends, actors, directors, as well as via his own handwritten and typed letters, personal archive, and readings from some of his plays, how Brian Friel re-defined Irish theatre in the second half of the 20th century.
Jimmy Carr refutes the idea that one can’t joke about anything these days with his edgy takes on gun control, religion, cancel culture, and consent.