A man becomes entangled in a deadly morality game when the circus comes to town and a sadistic clown forces him to examine the things in life he takes for granted in the most horrific ways.

In March 1933, Welsh journalist Gareth Jones travel to Ukraine, where he experiences at first hand the horrors of a famine. Everywhere he goes he meets henchmen of the Soviet secret service who are determined to prevent news about the catastrophe from getting out. Stalin’s forced collectivisation of agriculture has resulted in misery and ruin; the policy is tantamount to mass murder. Supported by Ada Brooks, a New York Times reporter, Jones succeeds in spreading the shocking news.

Set in the glamour of the New York and Paris art scenes, gallery owner Brooke Gatwick and her newscaster husband Owen, face temptation, jealousy, twists and mystery when two seductive newcomers enter their lives.

Two Los Angeles homicide detectives are dispatched to a northern town where the sun doesn’t set to investigate the methodical murder of a local teen.

Looking like a rediscovered film reel from the early days of cinema and with its “animal drag” costumes, this Dadaist nature documentary imagines a utopia where any and all life forms are equal.

On 9 January 1836, Pierre Lacenaire goes to the guillotine, a murderer and a thief. He gives Allard, a police inspector, his life story, written while awaiting execution. He also asks Allard to care for Hermine, a lass to whom he has been guardian for more than ten years. In flashbacks, from the prison as Lacenaire writes, from Allard’s study as he and Hermine read, and from other readers’ memory after the book is published, we see Lacenaire’s childhood as he stands up to bullies, including priests, his youthful thieving, his first murder, his brief army career, his seduction of a princess, and his affair with Avril, a young man who dies beside him.

The Battersea Bats are a gang of four kids who have their den in an abandoned building near the Thames, and they have a plan of action in mind because in about a week there is a soapbox derby being held, a contest they mean to win.

An idealist young dancer named Zoe (Romina D’Ugo) tackles the difficult issue of resurrecting disco dancing in today’s music business. She meets hostility beyond resistance on every dance floor where she spins and twirls. Fortunately, she has at least one ally, a nightclub owner and visionary named Michael (David Guintoli) who shares her zeal for the long-ago dance craze. With money to burn, Michael arranges for Zoe to test market bringing back disco, even with rival choreographers like Malika (Brooklyn Sudano). Soon dance takes a two-step in the wrong direction when hard-hearted Malika and Michael start vying to become Zoe’s dance partner.

Locked in her cell, a murderer reflects on the events that have led her to death row.

Bricks wants out of the game but he needs his million dollars that his ex-girlfriend left town with. He must find her first before Detective Love finds her to kill her and take the money.

“Los Angeles” is the story of Jojo, a young mute, who thinks she hears God calling her to save the Baby Jesus. She packs five angels in a shoe shine kit and takes a one-way trip to Tampa, Florida, where she is picked up by Cash, an escaped convict. The two hit the road with the FBI on their tail. At different cities along the way, Jojo opens her shine kit, and the angels perform. Will Cash get to freedom? Will Jojo save the Baby Jesus? God only knows.

In 1970s Iran, Marjane ‘Marji’ Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah’s defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.