An architect engages in conflict with an activist who lives in a dangerous complex the architect designed.
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Waldemar Nods, a young man from Suriname, meets the older Dutch woman Rika van der Lans and they fall in love. In pre-WWII Netherlands they could not be more different. The one black, the other white, 17 years between them and on top of that Rika already has four children with another man. They love each other, but then Rika appears to be pregnant…
Spurred by a white woman’s lie, vigilantes destroy a black Florida town and slay inhabitants in 1923.
An undercover narc dies, the investigation stalls, so the Detroit P.D. brings back Nick Tellis, fired 18-months ago when a stray bullet hits a pregnant woman. Tellis teams with Henry Oak, a friend of the dead narc and an aggressive cop constantly under the scrutiny of internal affairs. They follow leads and informants turn up dead.
A successful actress accepts the role of Lady Macbeth at a small New England theater, where she begins a flirtation with her charmingly awkward young director, and finds herself haunted by the ghost of William Shakespeare – who’s keen to do some rewrites.
Female prisoners in a Phillippine jail are being subjected to sadistic torture. Five of the women–along with the help of two men–plot an escape.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
Jae-hyuk is a pharmaceutical worker for a medical supplies company. When a series of dead bodies are found floating in the Han River. The public is shocked to discovered that the deaths are related to a fatal outbreak of virus-infected mutant parasitic horsehair worms, called ‘Yeongasi’, that can control the human brain. Those infected shows symptoms of hunger and thirst, hence jumps into the river to combat dehydration. Whilst the authorities work to find a cure, Jae-hyuk struggles to save his family when they also exhibits similar symptoms.
A young agent is tasked with investigating a tangled web of corruption and fraud in New York.
WWE Superstar Mike “The Miz” Mizanin returns as Jake Carter where he is assigned to protect a whistleblower who wishes to expose a corrupt military defence contractor. However, the military hires a heavily armed team of mercenaries to kill her and it’s up to Carter to stop them at any cost.
When two brothers are forced to fight in the Korean War, the elder decides to take the riskiest missions if it will help shield the younger from battle.
As it happens, everybody – Pooh, Piglet, Eeyore, Roo, Rabbit, Owl – is busy preparing a suitable winter home for Eeyore. When everything they do seems to get undone by Tigger’s exuberant bouncing, Rabbit suggest Tigger go outside and find other tiggers to bounce with – a notion Tigger finds ridiculous because, after all, he’s “the onliest one” Or is he?