Adam is your average working-class guy living in small-town America. He’s an auto mechanic who spends his free time with his tight-knit band of bros, Chris, Nick and Ortu, with whom he does everything—poker, video games, shooting hoops, getting drunk and meeting women. But there is something about Adam that even his friends don’t know. He is not that interested in women. When he comes out, sort of by accident but not really, his best friend Chris promises him that nothing will change but, of course, some things do. After the initial shock, the boys quickly come around to the fact that Adam is still the same dude, but when his double date with Chris ends disastrously, a drunken misunderstanding threatens to derail the group’s entire dynamic. Fourth Man Out is a feel-good buddy comedy with plenty of heart that focuses on the growing pains and ultimate strengths of of friendship.

Lauren must prevent fellow students from performing an exorcism on her best friend Chloe.

How does a traumatic event shape a family? How do you sift through the memories to find hidden clues and unlock a collective grief? Kingdom of Us takes a look at a mother and her seven children, whose father’s suicide left them in financial ruin. Through home movies and raw moments, the Shanks family travels the rocky road towards hope.

A political activist is convinced that her guest is a man who once tortured her for the government.

A gentle widower, enraged at Nazi atrocities against his peaceful Norwegian fishing village, escapes to Britain and returns leading a commando force against the oppressors.

A rancher, his clairvoyant wife and their family face turbulent years in South America.

In the middle of the night, a man reports a missing person to the police office… himself. He has lost his memory. He can only remember from the moment he found himself left alone in an apartment. He tries to find any clue as to who he might be, but nothing comes out. When he plucks up the courage to go out, he meets a girl at a convenience store, who he thinks might know him. Instantly she becomes his only hope and joy, but when he returns, she has disappeared. Then his attempt to find someone who remembers him becomes greater than his need for his own memories, transforming into a quest to reconnect with a lost love.

When a determined toy company executive, Christy, must learn about Hanukkah in a hurry in order to land a big account, she enlists the help of her co-worker’s friend Jonathan, who happens to also be in desperate need of turning his bachelor pad into a Christmas Wonderland to impress his girlfriend’s father.

Tells the story of an African immigrant surviving on the fringes of New York City where music is his passion, life is a hustle and falling in love is his greatest risk.

Young pilot Branson (Louis Koo) recently takes over Skylette, his father’s aviation empire, only to realise his old flames Cassie (Charmaine Sheh) is a flight attendant there. Several years ago, he was forced to break up with her and move to New York to take care of his father’s business. To this day, the two continue to harbour feelings for each other but decide to keep them bottled up. In an effort to rebrand the airline, Branson invites rock idol TM to star in an upcoming commercial and appoints Sam (Fransic Ng) as her flying consultant. Incongruent in both tastes and experience, this odd couple gets off on the wrong foot. As the shoot progresses, however, they slowly discover each other’s merits, developing a strong mutual attraction. Jayden (Julien Cheung) has left Skylette Airline to become a pilot for private jets. He meets the young and vivacious Kika (Kuo Tsai Chieh) during a flight and assumes her to be wayward and shallow…

A working-class family in London’s East End is struggling to stay afloat during the recession under Prime Minister Margaret Thatcher’s premiership. Only the mother Mavis is working; father Frank and the couple’s two sons Colin, a timid, chronically shy individual and Mark, an outspoken, headstrong young man, are on the dole. This situation is contrasted by the presence of Mavis’s sister Barbara, and her husband John, whose financial and social loftiness appears to be a comfortable facade over the unspoken soreness of a lackluster marriage.

Through a series of real and imagined encounters with angels, demons, and England’s pagan past, a pastor’s son begins to question his religion and politics, and comes to terms with his sexuality.