In August 2015, an ISIS terrorist boarded train #9364 from Brussels to Paris. Armed with an AK-47 and enough ammo to kill more than 500 people, the terrorist might have succeeded except for three American friends who refused to give in to fear. One was a college student, one was a martial arts enthusiast and airman first class in the U.S. Air Force, and the other was a member of the Oregon National Guard, and all three pals proved fearless as they charged and ultimately overpowered the gunman after he emerged from a bathroom armed and ready to kill.
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Patti Petalson is a promising writer, but her marriage and conventional job keep her from her dream. She longs to return to her writing, especially after running into her first love Brian Callahan, a successful crime novelist. Kate is Patti’s best friend since college; she’s a tough-talking schoolteacher who plays therapist to all Patti’s problems, while she’s got a few of her own.
Martin revolves around Lt. Brigadier Arjun Saxena, whose journey takes him from Pakistan to India to discover his real identity and fight against black market dealers, who are involved with terrorists to orchestrate massive attacks in the country.
Hired to enact revenge on a man who savagely beat a beautiful Russian débutant, Jack Verlaine is pressed between his newly acquired job and a persistent man named, Brill, who offers him a chance to advance higher in his seedy career. But when an estranged lover reappears in Verlaine’s regimented existence, he soon realizes the new elements in his life may be just a plot to uncover his true identity.
When a nuclear strike causes an electromagnetic pulse that cuts off all power, water, and communication to the entire western United States, Reese finds herself plunged into an all-too-real fight to survive. As pandemonium grips her city, Reese and her father set out on a desperate journey in search of safety–a perilous trek through a world gone mad where every encounter with a stranger could be your last.
Three narratives (“Cutting Moments,” “Home” and “Prologue”) combine to create a shocking trilogy of modern American life, a portrait drawn with brushstrokes of hidden violence and disturbing cruelty. Directed by Douglas Buck, this unflinching film reveals what lies behind the drawn curtains of so-called “ordinary” households.
Not long before marine officer van Hauen goes off to war and heavy-heartedly leaves his family, he coincidentally discovers that his wife has a secret liaison with the dubious Count Spinelli. What the van Hauens do not yet know, is that the sleazy Spinelli has a hidden agenda. (stumfilm.dk)
A graduate student and martial-arts expert rents a room in a house owned by a single mother who lives there with her son. A local street gang is trying to recruit the son, but the new tenant tries to help the boy’s mother keep him out of the gang. When they learn of this, they target both the mother and her new tenant.
When Ana, a young compliance manager, discovers unusually high bills among her company’s records, she can’t imagine what an avalanche her research will set off. Not only does she cross paths with an aging small-time crook and a Viennese Mafia lord at an illegal bare-knuckle fight, she also runs into Carsten, an undercover investigator. He has long been on the trail of a network of money launderers and now faces a difficult decision — since he knows Ana all too well.
Three stages in George’s life, and three girls he encounters in each stage.
Bucharest 1989 – the last year of Ceausecu’s dictatorship. Eva lives with her parents and her 7 year old brother, Lalalilu. One day at school, Eva and her boyfriend accidentally break a bust of Ceausescu. They are forced to confess their crime before a disciplinary committee and Eva is expelled from school and transferred to a reformatory establishment. There she meets Andrei, and decides to escape Romania with him. Lalalilu becomes convinced that Ceausescu is the main reason for Eva’s decision to leave. So with his friends from school he devises a plan to kill the dictator.
Indraneel’s sudden death averts a possible divorce, and takes Radhika on a fantastic inward journey of discovery of her own roots through the language of poetry, and lost love. A publisher asks Radhika to complete Indraneel’s works. This compels her to study his work, and thus begins her journey into the past. She realizes how much he romanticized their mundane, everyday life. Yet in reality, he was often insensitive, negligent and apathetic towards her. She wonders about his dual identity. How can a poet be unaware of his day-to-day realities, yet highlight moments from it in his art? Is art essentially an artifice?
