Hailed as one of Walt Disney’s most hilarious comedies, The Absent-Minded Professor contains two essential elements for laughter – Fred MacMurray and Flubber, his gravity-defying formula for flying rubber!

After the death of his father, Bo goes in search of money buried at a local sawmill while his mother Anna explores a new friendship with his teacher.

“Til death do us part” wasn’t nearly long enough for Max and Abby as his ghost returns to help her get over him. But with a second chance to be together, neither will ever want to say goodbye again.

After being sent to Nigeria against his will, a stubborn Nigerian-American teenager, joins forces with an internet scammer, in order to return to the United States.

Three high school seniors throw a party to make a name for themselves. As the night progresses, things spiral out of control as word of the party spreads.

A Hollywood studio executive is being sent death threats by a writer whose script he rejected – but which one?

A self-absorbed celebrity gamer, who speaks to millions of fans every day, has to figure out how to talk to the people in his life before he loses them.

Before leaving to settle abroad, Ahmad accepts one last job. He must audition actors for the new National Palestinian Theatre. On the road with interviewer Bissan and her cameraman Loumir, Ahmad goes in search of talent in the numerous refugee camps of Jordan, Syria and Lebanon. Hopefully for the last time, Ahmad experiences the insurmountable difficulties of life in Palestine: harassing searches at check points and borders, barricades, constant tension. He realizes the destiny of all waiting refugees is much the same as his own. He ends up guiding the auditioning actors into dramatizing what best embodies their destiny. But with the chance to catch his plane at risk, Ahmad could see the opportunity for his long-awaited exile slip away.

“The Risk not Taken” is a story about making the right decisions. Can one calculate the inherent risks of imminent decisions and take full responsibility for their outcome? Should one be allowed to make decisions of this magnitude for others? With the symbolic omnipotent sphere, the main character holds the world’s fate in his hands. The decision is his whether to use this power to improve life for many, yet at the same time might risk a catastrophe, or to separate himself from this power, and take the safer, more long lasting path. As he ponders and envisions the possible risks involved if he were to use the power, as well as what he would lose if he made the wrong decision, symbolized by the woman and child, he decides against this burden of power and lets go of the power and lets the sphere fall so as not to be tempted to change his mind.

British sad sack Gary is a failed entrepreneur who has just arrived in Beijing’s stylish Sanlitun district, allegedly to start a business. There are other reasons why he has uprooted himself — he’s followed his ex-wife and young son, for one — but he soon finds out that China isn’t the easiest place to succeed. Blissfully untouched by self-awareness, and only fitfully in tune with reality, Gary sallies forth to make money, armed with faith in himself and little to no knowledge of Chinese culture. He soon hooks up with Frank, a trust-fund kid from Australia who offers to mentor Gary in Eastern ways, although Frank’s pedagogical method is restricted to yelling at Gary for being a Westerner and not being as “Chinese” as him.

With only 24 hours left to live, a private investigator follows a trail of confounding clues to uncover the disappearance of his childhood friend.

The film centers on a Spanish tapas bar and the love lives of the loosely interconnected people in the neighborhood surrounding the bar. The pairs of lovers include a middle aged woman and a young man; an elderly, drug dealing woman and her terminally ill husband in poor health; the tapas bar owner and his estranged wife; and two Chinese immigrants.