Filmed for over a decade, MAGICAL UNIVERSE is a portrait of Al Carbee, an 88 year old strange and reclusive outsider artist who spends his days alone in a massive house in Maine creating art — mostly featuring Barbie Dolls in elaborate dioramas. The documentary profiles Carbee’s amazing body of work and his relentlessly creative lifestyle. Carbee’s story is explored through the prism of his unlikely friendship with New York filmmaker Jeremy Workman, who unexpectedly becomes Carbee’s closest friend and only link to the outside world. Far beyond just a portrait of an eccentric, MAGICAL UNIVERSE is about wonder, friendship, and the transcendent power of creativity. Its story culminates with Al Carbee’s greatest triumph as an artist and a man.

Shot around the world in 2010 and 2011, ‘FASTEST’ distills the thrilling, terrifying reality of the MotoGP world championship into a maximum-speed, full-length documentary feature film. ‘FASTEST’ captures a pivotal moment in the sport. Chasing his tenth world title, the legendary Valentino Rossi runs into the toughest challenge of his life: a wave of ferociously fast young riders, a horrific, leg-shattering crash at the Italian grand prix, an agonizing comeback forty-one days later in Germany, and the question every rider – even the greatest of all time – must face. Who’s fastest now? In 2010, Jorge Lorenzo stole the MotoGP crown. But is Rossi still the king?

“It’s a Hard Truth Ain’t It” is a companion piece to “O.G.”, a narrative drama also directed by Madeleine Sackler. It is co-directed by thirteen men incarcerated at the Pendleton Correctional Facility in Pendleton, Indiana.
Given unprecedented access to a maximum security prison, filmmaker Madeleine Sackler worked with a group of inmates to tell their own stories, giving rise to this collaborative, intimate documentary project.

An inspirational story about the power of hope in the face of seemingly insurmountable odds, and an object lesson in what it really means to be a winner in life.

Planetary presents a stunning visual portrait of our Earth, taking us on a journey across continents: from the African savannah to the Himalayas, and from the heart of Tokyo to the view of our fragile planet from orbit. Through intimate interviews with a diversity of people, from NASA astronauts and environmentalists to philosophers and Tibetan lamas, the film explores our shared future. It suggests that the key to transforming our civilisation lies in an understanding that all life is inseparably interconnected, and that we cannot change the world unless we change the way we see ourselves, our planet, and the wider cosmos we are embedded within.

Evolutionary biologist Professor Armand Leroi believes data science can transform the pop world. He gathers a team of scientists and researchers to analyse over 50 years of UK chart music. Can algorithms find the secret to pop success? When the results are in, Armand teams up with hit producer Trevor Horn. Using machine-learning techniques, Armand and Trevor try to take a song by unsigned artist Nike Jemiyo and turn it into a potential chart-topper.

Monrovia, Indiana explores a small town in rural, mid-America and illustrates how values like community service, duty, spiritual life, generosity and authenticity are formed, experienced and lived along with conflicting stereotypes. The film gives a complex and nuanced view of daily life in Monrovia and provides some understanding of a way of life whose influence and force have not always been recognized or understood in the big cities on the east and west coasts of America and in other countries.

Imagine this: you go dancing at a parade, there you will be filmed and suddenly this movie appears on the net. An artist makes art out of these images. From that moment on, your face buzzes out into the digital world. This case actually exists. The dancer is called Technoviking. He has become a famous figure on the Internet. However, it also raises a lot of questions: What are the boundaries between personality rights and the freedom of art? Can such a phenomenon be curbed at all by legal means? A feature length documentary on the popular Technoviking-Meme, one of the early big video memes on YouTube that ended up in court.

Set entirely inside Folsom Prison, The Work follows three men during four days of intensive group therapy with convicts, revealing an intimate and powerful portrait of authentic human transformation that transcends what we think of as rehabilitation.

Digital Dissidents are the warriors of the digital age: republican patriots, radical anarchists and cyber-hippies fighting side by side for transparency and privacy in a digital world which is permeating our lives more and more. For this they are imprisoned, live in exile, and have lost careers and families. Why do they do it? What motivates them? What are they warning us about?

A place: Theresienstadt. A unique place of propaganda which Adolf Eichmann called the “model ghetto”, designed to mislead the world and Jewish people regarding its real nature, to be the last step before the gas chamber. A man: Benjamin Murmelstein, last president of the Theresienstadt Jewish Council, a fallen hero condemned to exile, who was forced to negotiate day after day from 1938 until the end of the war with Eichmann, to whose trial Murmelstein wasn’t even called to testify. Even though he was without a doubt the one who knew the Nazi executioner best. More than twenty-five years after Shoah, Claude Lanzmann’s new film reveals a little-known yet fundamental aspect of the Holocaust, and sheds light on the origins of the “Final Solution” like never before.

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