A young woman learns that she has inherited a Texas estate from her deceased grandmother. After embarking on a road trip with friends to uncover her roots, she finds she is the sole owner of a lavish, isolated Victorian mansion. But her newfound wealth comes at a price as she stumbles upon a horror that awaits her in the mansion’s dank cellars.
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It’s 1974 and Sam Bicke has lost everything. His wife leaves him with his three kids, his boss fires him, his brother turns away from him, and the bank won’t give him any money to start anew. He tries to find someone to blame for his misfortunes and comes up with the President of the United States who he plans to murder.
Farmer Vincent kidnaps unsuspecting travellers and is burying them in his garden. Unfortunately for his victims, they are not dead. He feeds his victims to prepare them for his roadside stand. His motto is: It takes all kinds of critters…to make Farmer Vincents fritters. The movie is gory, but is also a parody of slasher movies like Last House on the Left.
In 1996, Tsurisaki Kiyotaka, one of Japan’s most infamous death photographers, ventured into the center of Hell itself – the Rue Morgue neighborhood of Bogota, Colombia. With death and murder rampant, the corpses eventually find their way to embalmer Froilan Orozco, who has been tending the dead for over 50 years. We watch as bodies are brought in to his shop and he prepares them for their funerals.
Marisol (Alejandra Herrera) is caught between her possessive and aggressive cousin, Mauro (Eduardo Mendizábal), and passionate but inert lover, Mundo (Noé Hernández). Violence is a constant presence in their rural Mexican town, with gangs and guerilla fighters a steady presence. When Mundo has to flee, their connection turns from physical to digital even when Marisol is held captive by her cousin. Their communication via text, voicemail, and video is sporadic and frustrating, but is nevertheless a source of comfort, and their longing remains intense despite the distance. When Mundo returns, the stakes for Marisol are even higher, and it’s no longer a question of whether things will come to a head, but how and when. Might their desire and desperation ultimately play to her advantage?
A collection of intersecting short stories set in early 1980s Los Angeles, depicts a week in the lives of an assortment of socially alienated, mainly well-off characters who numb their sense of emptiness with casual sex, violence, and drugs.
When a top-secret unmanned spacecraft disintegrates on re-entry, its mysterious military payload crash-lands in the crocodile habitat of a place called Adventure Land, a combination water park, amusement land, and world-famous crocodile exhibit. Following its pre-programmed instructions, the payload—a next-generation nanotech-based combat drone—finds a host in the form of the park’s prize twenty-foot Australian Saltwater crocodile, Stella. She is the largest saltwater croc in captivity. Immediately upon infecting its host, the drone payload’s nanobots begin to transform Stella from an organic living creature into a lethal killing machine with only a single directive: survival!
An underground fighting circuit run by an international crime syndicate invades a retired MMA champion’s small, idyllic island hometown. Syndicate thugs brutally assault his wife and kill his best friend, leaving him with no other choice but to fight for justice.
The working class twin sister of a callous wealthy woman impulsively murders her out of revenge and assumes the identity of the dead woman. But impersonating her dead twin is more complicated and risky than she anticipated.
When a video game designer stumbles into a blackmail conspiracy, he clashes with contract killers, Russian mobsters, and compromised cops in a wild journey through the bizarro world of Los Angeles. Uniquely told through a first-person point of view, Burning Dog is a relentless suspense thriller that keeps you guessing until the very end.
Valentina, a beautiful fashion model, takes an experimental drug as part of a scientific experiment. While influenced by the drug, Valentina has a vision of a young woman being brutally murdered with a viciously spiked glove. It turns out that a woman was killed in exactly the same way not long ago and soon Valentina finds herself stalked by the same killer.