Weighed down by financial problems, Tina takes a job as a receptionist at an illegal massage parlour in London. As she slowly gets to know the women who work there, Tina is forced to question her values and morals. But how far will she be drawn into this world, and can she avoid losing herself in the process?

Because of her last name “Kumada” (bear + rice paddy) and her appearance, Misa’s high school classmates call her “Pooh” disparagingly. She obviously has no friends and can only let down her guard around her pet parrot and the goldfish in the science room at school. But, then she finds herself quickly becoming best friends with Izumi who is a cute and popular classmates. Although somewhat puzzled by Izumi’s interest in her, Misa is excited about having a friend for the first time ever. But, Izumi’s initial angelic demeanor gradually transforms into a demonic one.

A wedding planner looks to persuade her mother not to marry a man she’s only known for a brief period of time, until an unexpected development forces her to re-examine her feelings.

A story about a karaoke-addicted old woman struggling with her self-worth and a sense of betrayal at her long-lost husband’s funeral where she encounters his younger and more sophisticated girlfriend while she finds out her kids might have been secretly in touch with her late husband all these years.

The stories of a missing wife, a couple of meth heads and an Elvis impersonator are connected by the items found in a small town’s pawn shop.

Three down-on-their-luck, twenty-something female roommates are living paycheck to paycheck in a rundown apartment, when one night they stumble across $3 million dollars in a suitcase amidst the bloody aftermath of a drug shootout. Despite wanting to keep the money and smuggle it out of the country, the girls are forced into a final showdown and must face off against seasoned criminals who want the cash for themselves.

The gang of five — Gopal, Madhav, Lucky, Laxman and Laxman, again! are orphans who have been raised in Seth Jamnadas’ orphanage in Ooty. When they return to their orphanage to mourn the death of their mentor, they hear that an avaricious builder, Vasu Reddy and his associate, Nikhil have designs on the ashram and the adjoining plot owned by Colonel Chouhan. The jugadu gang decides to stall the builders. However, they realise that in their absence, some friendly ghosts too have started to reside in the area. Anna Mathew, who can talk to spirits, acts as the guide to the gang.

The feature-film debut of famed director Louis Malle is an interesting, modern film noir with the classic theme of lovers plotting to kill the husband and make it look like suicide (reminiscent of The Postman Always Rings Twice). Jeanne Moreau gives an astonishing performance, perverse but naive as she leads her young lover down a path that can only lead to doom for both of them.

Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi

An ironic black comedy of love and death that takes place an a lyrically beautiful landscape. Three related women, all named Cissie Colpitts share a solidarity for one another which brings about three copy-cat drownings. The local coroner is in love with all three women and helps to disguise the murders.

A young opera singer finds her career stalled because of her cold and passionless performances, until she finds romance with a handsome admirer.

Bart Allison arrives in Sundown after a three year search for Tate Kimbrough. Although it is Kimbrough’s wedding day, Allison makes it clear he blames him for the death of his wife and is out to kill him. A shoot-out in the church puts the wedding on hold and Allison and his trail-buddy hole up in the livery stable. But the reasons for his actions become increasingly unclear, while the town starts to wonder about the grip Kimbrough has over them.