At the memorial for his father, WWII hero Major James Prentis, John confesses a dark family secret-buried twenty-five years-to his own son. Shuttlecock explores heroism, betrayal, and father-son relationships.

Krystal Parker’s life fell apart when she discovered she couldn’t have children. Everything she knew was gone, – but Letting Go Is Just The Beginning.

A group of trainee medical psychologists in a race against time to counter the deadly impact of exposure to a disturbed young mind.

In an isolated family mansion, a group of rich 20-somethings decides to play Bodies Bodies Bodies, a game where one of them is secretly a “killer” while the rest tries to “escape”. Things take a turn for the worse when real bodies start turning up, setting off a paranoid and dangerous chain of events.

A vigilante helps victims escape their domestic abusers.

A cam girl finds herself in a mysterious and deadly web of lies when a special subscriber goes missing.

The Unbidden is a thriller about four women confronted by a mysterious young man who knows a dark secret from their past.

Holly loves Rob and tries to help him through his grief – even if it means contending with his dead girlfriend Nina, who comes back, bloody and broken, every time they make love

Bart Tare is an ex-Army man who has a lifelong fixation with guns, he meets a kindred spirit in sharpshooter Annie Starr and goes to work at a carnival. After upsetting the carnival owner who lusts after Starr, they both get fired. Soon, on Starr’s behest, they embark on a crime spree for cash. Subjects of a manhunt, they are tracked by police in the hills Tare enjoyed as a boy.

Raised by an uncle in New York after his parents died in an attack orchestrated by the mafia, Thomas, now an adult, is sent to live in Italy. There, while his tortured past and the death of his parents come back to haunt him, he feels increasingly drawn to Thelma, his uncle’s mysterious wife. Soon Thomas will learn the truth about the death of his parents and foment a vengeance of great heights.

Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.

Ray Breslin is the world’s foremost authority on structural security. After analyzing every high security prison and learning a vast array of survival skills so he can design escape-proof prisons, his skills are put to the test. He’s framed and incarcerated in a master prison he designed himself. He needs to escape and find the person who put him behind bars.