Connor Miller is a screenwriter, or at least she wants to be. After 3 years of living in Los Angeles’ “valley” she moves to Hollywood to give it one last shot. There, she wrestles with the costs of chasing a dream and struggles to keep her eye on the prize during her “make-it-or-break-it” year.

A normal summer morning in “Outstanding Pool House,” Shine is getting ready for school. Shine is a beautiful and chic girl, but there is a bit of melancholy in her face. Six months ago, her parents died in a terrible car accident and left her nothing beside this pool house. Now, Shine even needs to face the fact that she will be sent to a foster home if there is no one from the family that can come and take care of her. Feng, Shine’s uncle, an ex-expert in billiards knows this and decides to come home and takes care of his niece. However, Shine does not appreciate this since, first of all, she is not familiar with his uncle at all. Secondly, after losing everything for gambling, Feng drinks and smokes all day, and those are what Shine hates the most. All in all, how can these two people find the way to reconnect with each other through billiards? Moreover, how can they see the love that runs in their veins for making them the family?

An old teahouse in Beijing serves as the stage for a drama that unfolds over several tumultuous decades of modern Chinese history, from the waning days of the Qing dynasty to the eve of the People’s Republic.

Alienated in politically-ambiguous Moscow, young woman deals with severe OCD, while her cousin in Berlin tries to build a romantic relationship ignoring her own condition. In a parallel New York City realm, a heartbroken boxer struggles with addiction, self worth and online anxiety, which connects all the heroes from a universal level.

Olga, Katya, and Andrey have known each other since childhood. They moved to Moscow many years ago and have become successful. Olga is an actress, Katya works for a large-scale PR agency, and Andrey is a political analyst. They buy cars, take mortgages, build country houses. Just like everybody else. But their lives bring them neither happiness nor content. The feeling of “something’s not right but I can’t put my finger on it” underpins the lives of today’s thirty-year-olds. Their childhood took place during the Soviet era, when kids dreamed of becoming heroes, believed in spy stories and a bright future. Yet nobody expected that the dream of becoming a hero would be replaced by the dream of stable and predictable existence. People have stopped dreaming of truly grand things. They just play their roles.

A boozy lowlife tries to bury the truth about his crazy stepson’s suspicious death, but a nosy newspaper columnist and the young man’s mother complicate matters.

JIM TAHANA doesn’t leave much of an impression when he passes you by. But look closer and you’ll sense his hunger – the deep hunger of an insatiable American soul – always scanning to devour something – anything that might fill the searing, unexplained void within him. Jim obsesses over the hobby that has been part of his DNA since he was a young boy: grief tourism – the act of traveling with the intent to visit places of tragedy or disaster. Every year his week-long vacations from work are spent going to grief tourist locations in the lives of different serial killers he is fascinated with. This years obsession is Carl Marznap, a mass murder from New Orleans, Louisiana. But this trip is no ordinary vacation as Jim’s rancid sexual impulses and weakening grip on reality deteriorate into a violent despair that will ultimately unlock an unspeakable secret festering within him, bringing The Grief Tourist to it’s brutal and shocking finale…

Recently paroled from prison, legendary burglar “Doc” Riedenschneider, with funding from Alonzo Emmerich, a crooked lawyer, gathers a small group of veteran criminals together in the Midwest for a big jewel heist.

The fortunes of a small theatrical company based in the Paris suburbs.

A woman in despair meets a mysterious man under circumstances that she believes may be a case of divine intervention.

Galicia, northern Spain, January 2, 1921. The steamship Santa Isabel, sailing towards Argentina with more than two hundred emigrants on board, sinks off the coast of Sálvora Island. Three island women, María, Josefa and Cipriana, who have bravely set sail aboard a fragile skiff to save the shipwrecked, are treated as heroes by the cynical authorities; but León, an inquisitive and tenacious Argentinean journalist, starts asking uncomfortable questions.

Based on the internationally-acclaimed play by Colette Freedman, the story of 4 estranged sisters who reunite for their mother’s alleged suicide.