Three handsome Sydney bachelors Aroush, Tanmay and Al – are having the time of their lives in Sydney. They flirt around, and have numerous conquests to their credit. They suddenly find their dating and mating rituals destroyed when a dimpled little roommate lands up on their doorstep. When it comes to babies, they’re total zeroes and this bundle of joy is anything but joyous.

Guillaume Canet is told by a young co-star that he’s no longer Rock’n’ Roll and can’t sell films anymore. He then tries to prove her wrong and gets help from his girlfriend, Marion Cotillard.

November 1963, London. An East End slum landlord with a reputation for protecting the morally abhorrent is assigned the unenviable task of chaperoning a vision-plagued Catholic Nun to her mission in Paris.

Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Not only are the names of the new arrivals Gemma and Charles Bovery, but their behavior also seems to be inspired by Flaubert’s heroes.

A girl accidentally finds that her boyfriend will forget everything about yesterday when he wakes up every day.

Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

Shakib is a homeless day laborer who never got over the loss of his wife and son in an earthquake years ago. Over the last couple of years, he has developed a relationship with a deaf and mute woman, Ladan. The construction site on which he works today turns out to be the set of a film about the atrocities committed by Hitler during WWII. Against all odds, he is given a movie role, a house and a chance at being somebody. When Ladan learns about this, she comes to his workplace begging for help. Shakib’s scheme to hide her goes tragically wrong and threatens to ruin his newfound status and what seemed to be the opportunity of a lifetime.

A teenage girls life gets turned upside down when a new school friend turns out to be a popstar.

Freelance writer Aoi Teshigahara (Miho Nakayama) lives in Paris, France. Sen Yagami (Osamu Mukai) is a photographer who came to Paris, France due to his younger sister Suzume’s (Mirei Kiritani) insistance. Over the next 3 days, Aoi Teshigahara and Sen Yagami fall in love. Meanwhile, Suzume meets her boyfriend Kango (Gou Ayano), whom they have been in a long distance relationship.

In a world where immortality is achieved by drinking alcohol, having sex and partying every night, three friends in their hundreds (who don’t look a day over eighteen) try to hold onto their youth in the face of a rapidly changing world.

A noble swordsman and a one-armed swordswoman go up against the vicious Crimson Charm gang of thieves and cutthroats. The lovely and lethal Ivy Ling Po teams with the amazing Chang I for a classic tale of good versus evil in which the best man and one-armed woman wins.

After being a victim of rape within their own home, Diana chooses to keep the trauma secret. Mario, her husband, also has something to hide. The silence takes the couple’s account over the day turns gradually into a peculiar form of violence.