In Part 7, the filmmakers explore what’s lacking in modern German schoolgirls.
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Stand up comedy of the Hilarious Kind.
A young filmmaker hopes to find love through online dating — if he can just keep his OCD on the down low.
Clay Foster is face to face with a griping situation. His wife is dead and he cannot accept it. He is in denial. The story starts in the midst of a tangled murder mystery. Clay’s wife was brutally murdered. How was she killed? Who killed her? The audience is forced to see the world as Clay does, through the eyes of a man traveling through the horrible stages of grieving; denial, anger, and finally acceptance, trying to solve the mystery of his murdered wife. As death comes upon all men, so does the Syphon. In clays diminutive state, his sanity brings him to rest very close at the veil between life and death. He is attune to the fragments and properties that join the two worlds, and being in such a state he is privy to witness and communicate with the beings that walk between them.
When a group of tourists on a New Orleans haunted swamp tour find themselves stranded in the wilderness, their evening of fun and spooks turns into a horrific nightmare.
In an underground prison an inmate escapes during a riot. One year later, a group of friends set out to locate an old hermit shack. They’re worst nightmares are revealed when they spawn an evil darkness within the escaped prisoner.
Toby appears to be an ordinary dog living the simple put life, but unbeknownst to his family, he moonlights as secret government operative, Agent Toby Barks.
Inside the prison, El-Ghazouly helps Adawi, Salkha, Attwa, Mensi and Sayed Balkouna to escape from prison in order to carry out a 30-day mission, which is to restore Shafika’s nightclub, Which he inherited from her late husband and quarreled with her husband’s son who is trying to do anything to remove it from his path.
In Moscow in 1983, an American journalist interviews Guy Bennett, who recalls his last year at public school, fifty years before, and how it contributed to him becoming a spy.
Following the success of his first feature “Django”, Étienne Comar confronts with “Singing Jailbirds” the life in a prison for women with music and its capacity to unite people and a repertoire of international songs.
Ten years have passed. Nikki’s daughter Sarah, now 19 and heading West for college, is at her own spiritual crossroads. To make matters worse, her mother has recently revealed that, nearly a decade ago, she was the dinner guest of the Almighty himself. Thinking her mom is certifiably insane, Sarah strikes up an unlikely friendship with a travel companion who shares her disdain for religion.
