This intimate documentary explores a bygone era of cinematic passion and the emergence of young film enthusiasts in South Korea, including Bong Joon Ho.

The American Diplomat explores the lives and legacies of three African American ambassadors — Edward Dudley, Terence Todman and Carl Rowan — who pushed past historical and institutional racial barriers to reach high-ranking appointments in the Truman, Eisenhower and Kennedy administrations. At the height of the civil rights movement in the United States, the three men were asked to represent the best of American ideals abroad while facing discrimination at home. Oft reputed as “pale, male and Yale,” the U.S. State Department fiercely maintained and cultivated the Foreign Service’s elitist character and was one of the last federal agencies to desegregate. Through rare archival footage, in-depth oral histories and interviews with family members, colleagues and diplomats, the film paints a portrait of three men who left a lasting impact on the content and character of the Foreign Service and changed American diplomacy forever.

The Real Bruce Lee is a martial arts documentary. It begins with a brief biography of Bruce Lee, and shows scenes from four of his childhood films, Bad Boy, Orphan Sam, Kid Cheung, and The Carnival, each sepia-toned and dubbed to English. Next, there is a three-minute highlight reel of Lee imitator Bruce Li. Finally, there is a feature-length film starring Lee imitator Dragon Lee, which is obviously modeled after Bruce Lee’s Fist of Fury.

Rocky IV is dually symbolic – it embodies both the victory of the American boxer over the Soviet one and the victory of neo-liberalism over a dwindling socialism. Today, Rocky is held up as a model by some and is a subject of derision for others. An emblem of the 1980s, its culture and its heroes, the film will be the subject of an entertaining analysis of popular culture.

With suicide rates among active military servicemen and veterans currently on the rise, this documentary brings urgent attention to the invisible wounds of war. Drawing on personal stories of American soldiers whose lives and psyches were torn asunder by the horrors of battle and PTSD, the documentary chronicles the lingering effects of combat stress and post-traumatic stress on military personnel and their families throughout American history, from the Civil War through today’s conflicts in Iraq and Afghanistan.

“Boy from the Blaze” is the survivor of a tragic accident that destroyed his life and that of his family. About to turn 18, without a job or an education, he spends his days in the darkness of his room. Consumed by pain and anger, his only hope is writing songs for an imaginary crowd. Inspired by a friend and encouraged by his mother, he will find the strength to go on stage and overcome his fears.

A lovesick misfit, a mysterious beauty, a retired civil servant, a randy fortuneteller and a couple of doubtful, young, charismatic lovers meet in late summer on a Russian river cruise. They have one thing in common – similar emotional problems of suffering and doubts. However, they’ve come to the right place. River cruises in Russia are colloquially called “floating matchmaking agencies”. What does fate have in store for them?

A history of the ill-fated 1994 production of “The Fantastic Four” that was executive produced by Roger Corman.

G-Funk is the untold story of three childhood friends from East Long Beach who helped commercialize hip hop by developing a sophisticated and melodic new approach – merging Gangsta Rap with elements of Motown, Funk, and R&B.

W. Kamau Bell tackles the joys and challenges of growing up mixed-race through conversations with kids and families in the San Francisco Bay Area, including his own.

Two adopted brothers filled with resentment for each other after the loss of their mother, united in their love of breakdancing, find themselves thrust together as they embark on a journey for the Gold. ​

Dylan Mars Greenberg, an independent filmmaker from New York City, shares her personal struggles and achievements as a minority in the filmmaking industry.