Rapunzel grapples with the responsibilities of being a princess and the overprotective ways of her father. While she wholeheartedly loves Eugene, Rapunzel does not share his immediate desire to get married and settle down within the castle walls. Determined to live life on her own terms, she and her tough-as-nails Lady-in-Waiting Cassandra embark on a secret adventure where they encounter mystical rocks that magically cause Rapunzel’s long blonde hair to grow back. Impossible to break and difficult to hide, Rapunzel must learn to embrace her hair and all that it represents.
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When Stephen, the husband of Gerald’s mistress, Claire, discovers a pair of tickets for their planned trip to Venice, Gerald must invent a wife to cover their tracks. He is then forced to hire a woman to play “his wife” when Stephen insists he and Claire accompany them to Venice.
Judy at the Palace. Sinatra at Carnegie Hall. Streisand at the Garden. Stritch on Broadway. Legendary performances come along so rarely. Elaine Stritch At Liberty is an autobiographical one-woman show written by Elaine Stritch and John Lahr. The show consists of spoken monologues from Stritch following her life and career, interspersed with showtunes and pop standards which compliment her stories. Many of these songs had been originated by Stritch in major Broadway productions, such as “The Ladies Who Lunch” from Company and “Civilization” from Angel In The Wings. Her experiences and relationship with show business are focal points, but she also explores more intimate, personal themes like her alcoholism and romantic relationships.
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