On 26 September 1928, Karel Capek and President T.G. Masaryk meet in the gardens of Topolcianky castle to decide about the fate of their joint literary work. Their fiction film dialogue is based on quotes from a future book and their mutual correspondence, considerably freeing the original format of literary conversation from binding conventions. Capek and Masaryk reproach and offend each other, but they also ask key personal questions and questions about the social functions of a writer and politician respectively. “It’s a film about two extraordinary men; it’s about the fact that emotions can be sometimes more powerful than ideas even in such exceptional people.
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Every night, in danger of being beheaded, Scheherazade tells King Shahryar unfinished tales to continue them the following night, hence defying his promise of murdering his new wives after their wedding night. Scheherazade tells king Shahryar her stories but these are not those in the book. These are stories based on whatever will be happening in Portugal during the production time of the film. As in the book, these stories will be tragic and comical, with rich and poor, powerless and powerful people, filled with surprising and extraordinary events. This film will be about the reality of a disgraced country, Portugal, under the effects of a global economic crisis.
NOIR transports you back to a time of black and white movies of the 30s, 40s and 50s. It’s New York City, a single spotlight illuminates a detective sat at his desk, fog swirls around his feet as he lights his cigarette, jazz music echoes all around, Welcome to the world of NOIR. Veronica Smart is a beautiful 40-year-old woman married to her husband Cliff for 16 years, always wanting to be a star, she has now grown tired of the marriage and wants out. Meeting a group of teenagers at the local school she works, sets in motion a plan that will include seduction, passion, lies, manipulation and murder. Now available on Prime Video in the UK and USA.
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