One was a demon on guitar; the other was fresh out of school and no slouch on harmonica. SATAN & ADAM is a celebration of friendship and the blues comprised of documentary footage shot over the course of two decades.

Mistaken for Strangers follows The National on its biggest tour to date. Newbie roadie Tom (lead singer Matt Berninger’s younger brother) is a heavy metal and horror movie enthusiast, and can’t help but put his own spin on the experience. Inevitably, Tom’s moonlighting as an irreverent documentarian creates some drama for the band on the road. The film is a hilarious and touching look at two very different brothers, and an entertaining story of artistic aspiration.

Documentary about Tommy Chong’s federal prosecution under the Bush administration for selling bongs over the Internet.

Charts the rise and fall of Nelson Algren, a writer whose transgressions, compassion and thirst for justice pushed him to become a champion of Americaandapos;s underclass and one of the 20th centuryandapos;s most consequential literary voices.

An all-girls’ robotics team in Afghanistan risks it all to prove that it can compete against anyone in the world, and demonstrates that girls can become scientists and engineers instead of teenage brides.

Focuses on two subjects in particular: Rob Niosi, who has spent many years building a full-scale replica of the prop from the 1960 film The Time Machine, and physicist Ronald L. Mallett, who has dedicated his life to researching the scientific possibility of time travel.

Featuring shocking, never-before-seen law enforcement video surrendered by a disgraced officer, End of the Line: The Women of Standing Rock is the incredible story of the indigenous women who establish a peaceful camp in protest of the $3.8 billion Dakota Access oil pipeline construction that desecrated ancient burial and prayer sites and threatens their land, water, and very existence.

The Joffrey Ballet: Mavericks of American Dance, narrated by Mandy Patinkin, tells the full story of this groundbreaking company, from their founding in 1956 to the present.

The Age of Anxiety is a film that delves into a crisis in motion according to the World Health Organization, disorders related to dread are the most prevalent mental illnesses on the globe at the moment. Is this a disease of modernity? Or is our highly competitive and material culture itself undermining our nerves? The Age of Anxiety explores these questions, while also investigating the role that pharmaceutical companies and even the psychiatric profession play in this phenomenon. Is our anxiety fueling an industry that in turn is profiting from and exploiting our dread in a vicious and self-perpetuating cycle?

During the brutal invasion of China in 1937 by Imperial Japanese forces, tens of thousands of civilians and prisoners of war are murdered and women raped in what is known simply as “The Rape of Nanking.” This docudrama is a stirring account of a small band of courageous American missionaries who choose to stay in Nanking to try and protect a quarter million vulnerable Chinese civilians who are trapped in a city ruled by a savage, out of control army. Their stories are brought vividly to life through actual real-time letters and diaries as they bear witness to one of the worst wartime atrocities in history.

What do you picture when you think of King’s Road? The swinging 60s? Vivienne Westwood pioneering punk fashion? One notable establishment in this enclave of history that’s often forgotten about is Gateways, London’s longest-surviving lesbian club. Alongside a host of its patrons over the years, Sandi Toksvig highlights the legacy of the club from its original owner, who won it in a poker game, to its blossoming into a hotspot and safe space for lesbian life. From its signature green door to the risqué dance move that gives this film its name, Gateways was a crucial part of London’s queer history. In this charming and informative film, it’s celebrated in all its glory.

An examination of the wildest conspiracy of our times. From the biggest names in QAnon to the front-line digital soldiers, what leads people down such a different path?