Story of the relationship between the poets Ted Hughes and Sylvia Plath.
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“In the Shadows” slithers through underworld Berlin in grand style. En route to a twisty finale, German writer-director Thomas Arslan keeps his audience glued to the increasingly desperate actions of Trojan, a thirtysomething career criminal whose latest job slowly catches up with him.
These young women are an odd couple. Julie is quick-witted and stubborn. She celebrates idleness and even voluntarily checks into a psychiatric clinic. Nurse Agnes, on the other hand, is always eager to do the right thing and to meet everyone’s expectations of her, which is not always easy. When the two of them accidentally meet one day, odds are they won’t get along. But they quickly feel attracted to one another, despite their enormous differences.
A San Francisco hood is rubbed out by rival Bruno Felkin, who himself reports the crime to Homicide Lt. Kelsey in an alibi scheme which fails. To escape, he stows away on a fishing boat. At sea, skipper Hamil Linder receives Bruno kindly, teaching him fishing; Bruno enlists Hamil’s wayward son Carl to tend his slot machines. Then Carl takes an interest in Bruno’s girl Connie. Climax in a storm at sea.
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Billy is a fetish photographer whose models begin to turn up dead. Michael, a melancholic cop, is tasked with investigating him.
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Song Yeon-Hwa, a reporter of a weekly entertainment magazine, is 27 years old. Though she is almost kissed by her boy friend several times, she has refused without particular reasons. Then she lost her boy friend. Now knowing her shilly-shally is the reason of her lost love, Song Yeon-Hwa loses daily rhythm all in a furry. One day Han Kyeong-Hyeon, who seems to be a playboy, came to work with her as a photographer. Seating next seat Kyeong-Hyeon nags her chattering all kinds of things and wedging in every occasion. Yeon-Hwa, who suffers from aftermath of lost love, submits resignation with a burst due to nagging and scolding of editor-in-chief.