A young French Canadian, one of five boys in a conservative family in the 1960s and 1970s, struggles to reconcile his emerging identity with his father’s values.

With the Third Reich is at his peak in 1942, the Czech resistance in London plans the most ambitious military operation of WWII – Anthropoid. Two young recruits are sent to Prague to assassinate the most ruthless Nazi leader – Reinhardt Heydrich – head of the SS, the Gestapo and the architect of the Final Solution.

A tragicomedy set in the world of gas stations in rural Ireland, where over-diligent employee of the garage searches for intimacy during the course of a life-changing summer.

Four erotic tales from in various historical eras. The first, ‘The Tide’, is set in the present day, and concerns a student and his young female cousin stranded on the beach by the tide, secluded from prying eyes. ‘Therese Philosophe’ is set in the nineteenth century, and concerns a girl being locked in her bedroom, where she contemplates the erotic potential of the objects contained within it. ‘Erzsebet Bathory’ is a portrait of the sixteenth-century countess who allegedly bathed in the blood of virgins, while ‘Lucrezia Borgia’ concerns an incestuous fifteenth-century orgy involving Lucrezia, her brother, and her father the Pope.

Chen Yong, a drug dealer, selling a forbidden but effective drug for chronic myelocytic leukemia.

Ursula finishes her studies and returns to her aunt Florentine and uncle, Ribera who is the count. She falls in love with Lambert, the killer of her uncle.

In a remote village in South India, three generations of sons react to the death of Century Gowda, their grandfather, a 101-year-old man. The three story lines intertwine before converging at Century Gowda’s “Thithi”, the final funeral celebration eleven days after a death.

After Kick-Ass’ insane bravery inspires a new wave of self-made masked crusaders, he joins a patrol led by the Colonel Stars and Stripes. When these amateur superheroes are hunted down by Red Mist — reborn as The Mother Fucker — only the blade-wielding Hit-Girl can prevent their annihilation.

When a wealthy businessman learns of his daughter’s sudden engagement to a missionary, he embarks on a quest to keep her closer to home, but when his efforts go awry he must reconsider what it means to be a strong father.

After their failed attempt to take over the Federation war fleet, John Worthy and General Gustav are sentenced to death but they are rescued by Worthy s girlfriend, Jolli, who has control of a new Starship, The Deliverance. Meanwhile, The Overseer, Ruler of the Federation, wants to enslave the rebellious worlds with an ancient alien Nano-Virus that turns humans into mindless slaves. Starship Deliverance, Worthy and his team are all that stand in the way of total slavery of the entire human race.

In the year 2159, two classes of people exist: the very wealthy who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined Earth. Secretary Rhodes (Jodie Foster), a hard line government official, will stop at nothing to enforce anti-immigration laws and preserve the luxurious lifestyle of the citizens of Elysium. That doesn’t stop the people of Earth from trying to get in, by any means they can. When unlucky Max (Matt Damon) is backed into a corner, he agrees to take on a daunting mission that, if successful, will not only save his life, but could bring equality to these polarized worlds.

She is a healer. A hermit. A Fool-in-God. She is a little over forty years old. She doesn’t disdain alcohol. She can be ridiculous, humiliated, offended. She has long been indifferent about herself. Everybody avoids her and is afraid of her, but secretly at night they all hurry to her home. After all, only she can get rid of their illnesses. For her, this is a damnation, and each time she swears that she won’t help people any more, but each time she is unable to refuse them. She knows that her gift will ruin her some time, but she continues to be the only chance of salvation for people.