Steve Brooks, a sexist womanizer, is killed by a group of his angry former lovers. In heaven, he makes a bargain with God for redemption and agrees to return to Earth. Once there, he must have a sincere relationship with a female and make her fall in love with him. If not, Steve’s soul will become the property of the devil. But the devil hedges his bet, and Steve is reincarnated as a woman named Amanda Brooks.
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Since the early days, Jerry Lewis – in the line of Chaplin, Keaton and Laurel – had the masses laughing with his visual gags, pantomime sketches and signature slapstick humor. Yet Lewis was far more than just a clown. He was also a groundbreaking filmmaker whose unquenchable curiosity led him to write, produce, stage and direct many of the films he appeared in, resulting in such adored classics as The Bellboy, The Ladies Man, The Errand Boy, and The Nutty Professor.
After receiving a cryptic letter from his estranged father, Norval travels to his dad’s oceanfront home for what he hopes will be a positive experience. If only he’d known the dark truth about his old man beforehand.
A razor sharp comedy all about relationships and red tape. Kreso is at a loose end. A fully qualified biologist, he’s about to hit middle age, disillusioned, out of work and stuck in a marriage that should probably never have started. At least his son still looks up to him. Meanwhile, the country’s cash-strapped government is busily looking for unique ways to save money, and now, over 20 years after the 1990’s war, sets its sights on the widows of fallen soldiers. Anyone unmarried but in a new relationship will no longer be allowed a military pension. Enforcing such an unpopular measure requires a new department: The Ministry of Love, whose purpose will be to gather information on any widows breaking the new law. With nothing to lose, Kreso agrees to be put forward by his pushy father in law. The only problem is, together with his eccentric partner, Sikic, he’s completely the wrong man for the job.
British comedy about an unpopular and uncool student who decides to hold a massive birthday party in his rich parents’ house as a way to win the heart of the hottest girl in his college class.
Eddie Garrick is a good-hearted man who has lost his belief in the wonder of Christmas. While spending time with his nine-year-old daughter Charlotte on Christmas Eve, he befriends a mysterious man in a red suit named Nick.
An aspiring singer, Denise Waverly/Edna Buxton, sacrifices her own singing career to write hit songs that launch the careers of other singers. The film follows her life from her first break, through the pain of rejection from the recording industry and a bad marriage, to her final triumph in realizing her dream to record her own hit album.
Nick Pearson is a life-long bachelor who is finally settling down. On the brink of his wedding he is surprised to find he has a 13 year old son who has come to find his him through the help of a psychic. The problem is Nick can’t stand kids and would happily send the boy back to live with his biological mother, except that no one has any clue who that might be. Having nowhere to turn Nick must hit the road with the boy and the neurotic, inept psychic to track down dozens of his disgraced ex-flings to whom he must ask the awkward question – with very mixed results.
When this year’s round of unsuspecting Northerners fail to show up for their annual Guts N’ Glory Jamboree, the residents of Pleasant Valley take their cannibalistic carnival on the road and head to Iowa where they encounter spoiled heiresses Rome & Tina Sheraton and the cast and crew of their “Road Rascals” reality show. Performing “The Bloodiest Show on Earth”, our Southern Maniacs prove more than ratings killers in what John Landis has called “one of the rare sequels that surpasses the original”.
Julia finds 300 million pesetas hidden in a dead man’s house while selling an apartment. She’s a 40-ish real estate agent now forced to face the wrath of a very peculiar community (of neighbors), headed by an unscrupulous administrator. Black humor gives way to suspense, closely followed by horror that doesn’t take long in coming to a head in undisguised pandemonium.
The star of Ken Loach’s MY NAME IS JOE, Mullan proves that his talent isn’t relegated to acting. As a writer/director, he has crafted a supremely entertaining motion picture. ORPHANS tells the grittily realistic, hysterical, and deeply moving tale of a group of siblings who reunite in Glasgow on the eve of their mother’s funeral. The four children mourn their mother’s passing in a variety of ways, some of which are heartfelt and some of which are bizarre. As a potential thunderstorm threatens to damage the city, the situation compounds itself even further.
