Vivian Maier’s photos were seemingly destined for obscurity, lost among the clutter of the countless objects she’d collected throughout her life. Instead these images have shaken the world of street photography and irrevocably changed the life of the man who brought them to the public eye. This film brings to life the interesting turns and travails of the improbable saga of John Maloof’s discovery of Vivian Maier, unravelling this mysterious tale through her documentary films, photographs, odd collections and personal accounts from the people that knew her. What started as a blog to show her work quickly became a viral sensation in the photography world. Photos destined for the trash heap now line gallery exhibitions, a forthcoming book and this documentary film.

Follows the story and reality of Edmund Kemper, who appears to be a gentle giant who offers rides to young female hitchhikers, but is actually a perverted monster with a tormented childhood and dark sexual fantasies.

A documentary feature film about the biggest global corruption scandal in history, and the hundreds of journalists who risked their lives to break the story.

Documentary following the history making Nottingham Forest football team led by Brian Clough and Peter Taylor that won back to back European cups.

Serial Killer Culture examines the reasons why artists and collectors are fascinated by serial killers.

The Creeping Garden is an independently-produced feature-length documentary, directed by Tim Grabham and Jasper Sharp and with an original soundtrack by Jim O’Rourke, depicting the world of myxomycetes, or plasmodial slime moulds, and the diverse array of research currently being conducted around them. The film boasts stunning original macroscopic time-lapse footage of these overlooked organisms, filmed within its natural habitat and in a controlled laboratory setting, and features interviews with artists, researchers and scientists involved in the fields of the visual arts, music, mycology, computing and robotics to explore ideas of biological-inspired design, emergence theory, unconventional computing and scientific modelling.

A short about what happens under and around us. A chipmunk and a small mouse go on an adventure; they grow and learn about life and its obstacles.

Only in New Orleans: fighting to break free from the Supreme Court’s monopoly in the heart of the French Quarter.

A deep dive into the lives of high school students in three radically disparate communities as they navigate the pressures around college while staging a musical, until seismic events upend their dreams and expectations.

If you thought TV shows in which audiences and juries judge musical acts were a relatively new phenomenon, you’d better think again. In the 1970s, such “festivals” were incredibly popular in Brazil. They were recorded before a live studio audience, and usually featured a number of elimination rounds. They also formed the springboard for the career of many a big-name star, such as Chico Buarque, Caetano Veloso, Roberto Carlos and Gilberto Gil. Appearing on such a program was no cakewalk, however: audiences could be as wild in their condemnation as in their appreciation of an artist. Extensive archive footage (including performances and behind-the-scenes interviews) from a turbulent final of the Festival of Brazilian Popular Music one evening in 1967 paints a fascinating picture, not only of the transformation of Brazilian music into real “festival” music, but also of a society starting to buck against the yoke of military rule.

Lonely son of a Canadian preacher man Michael builds the first professional wrestling company in faraway Finland. Young transsexual wrestler Jessica infiltrates into the company contesting Michael both physically and ideologically. Anger and frustration get to Michael who is now 40 years old still looking for companion. He is looking for love, but first must learn not to hate. As Michael finds true love online he redefines his values, and reinvents himself as a wrestler in love.

WHITEY: United States of America v. James J. Bulger captures the sensational trial of infamous gangster James ‘Whitey’ Bulger, using the legal proceedings as a springboard to explore allegations of corruption within the highest levels of law enforcement. Embedded for months with Federal Prosecutors, retired FBI and State Police, victims, lawyers, gangsters and journalists, Academy Award-nominated filmmaker Joe Berlinger examines Bulger’s relationship with the FBI and Department of Justice that allowed him to reign over a criminal empire in Boston for decades. Pulling back the curtain on long-held Bulger mythology, the film challenges conventional wisdom by detailing shocking, new allegations. With unprecedented access, Berlinger’s latest crime documentary offers a universal tale of human frailty, opportunism, deception, and the often elusive nature of truth and justice.