The proprietor of an ice-skating revue promotes a peanut-vendor to a management position based on suggestions he made to improve the act of the show’s star, who also happens to be the owner’s wife. However, he soon begins to notice that his new manager is paying more attention to his wife than he believes is appropriate.
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Sam Davis convinces his former best friend to spend a weekend with him to rekindle their friendship at an elegant beachside estate owned by a famous documentary filmmaker. However, it soon becomes clear that Sam is secretly infatuated with his ex, Zoe, who is now the filmmaker’s fiancée, and that his true intention is to thwart their impending nuptials. As Sam’s plan begins to unravel, he is forced to realize how complicated love and friendship can be.
Max Kirkpatrick is a cop who protects Kate McQuean, a civil law attorney, from a renegade KGB team out to terminate her
A Kawa Ijen sulfur miner finds his routine radically altered the moment his wife goes away. He enters then a time loop that transforms his reality as his beliefs move from animism to Islam and capitalism. In a hybridization between ethnofiction and documentary, the film questions the myth of progress and explores the relationship with the otherness in the neocolonial reality of the South Seas .
Two convicts, a white racist and an angry black, escape while chained to each other.
Ataru, who suffers from “savant syndrome,” has the power to discover, observe, see through, and deduct microscopic evidence of unsolved cases. Why does he always go to the criminal sites? What explains his strange behavior? Meanwhile, a mystery unfolds with Ataru and a woman named Madoka, who is a killer. The woman possesses the same extraordinary memory and deductive reasoning abilities as Ataru. Who is she?
By the start of World War II, Paul Robeson had given up his lucrative mainstream work to participate in more socially progressive film and stage productions. Robeson committed his support to Paul Strand and Leo Hurwitz’s political semidocumentary Native Land. With Robeson’s narration and songs, this beautifully shot and edited film exposes violations of Americans’ civil liberties and is a call to action for exploited workers around the country. Scarcely shown since its debut, Native Land represents Robeson’s shift from narrative cinema to the leftist documentaries that would define the final chapter of his controversial film career.
A private detective, who has been shot, stumbles into the office of Michael Shayne (Hugh Beaumont), and dies before Shayne can question him. Shayne finds a baggage ticket in his hand. He claims it and finds the checked-bag contains the loot from a robbery. Now, he has about fifty minutes left of the running time to find the crooks, bring them to justice and return the money to the rightful owners. And needs all of it.
