An isolated house is too remote for a lone servant, who leaves a note, quietly exits the back door, and puts the key under the mat. Left alone in the house is a mother and her infant. A tramp has watched the servant leave and begins to skulk. When the lady of the house sees him outside as he discovers the key, she’s terrified and desperately phones her husband, who’s at work in town. He jumps into a car that’s idling in front of his office and races toward home, the car’s owner, and police, in hot pursuit.
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GRIMY is the story of an undercover officer named Rogers. (Maurandis Berger) He is the only one who can get in close enough to these criminals that terrorize neighborhoods with drugs and violence. He is often assigned to neighborhoods that he grew up in, but he finds himself becoming part of the problem as he almost becomes what he’s trying to bring down. Now Officer Rogers must make a choice of which side he will take, his oath or his feelings.
In a room behind a door, a young woman named Sylvie adventures through the depths of her heart. She builds a world that can keep her safe from all of the “what if’s” she fears most, never daring to venture beyond the threshold of her door.
It’s 1881, and Old College, Oxford plays host to three very different academics. Abercrombie Smith is a model of Victorian manhood, clean of limb and sound of mind. Monkhouse Lee is a delicate and unworldly student from Thailand. And occupying the rooms between them is the strange and exotic Edward Bellingham, whose unnatural researches into the secrets of ancient Egypt are the talk of the college. Can Bellingham’s experiments truly bring the breath of life to the horrifying bag of bones that is the mysterious Lot No 249?
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