In the wake of the new Civil Rights Movement it is important to tell Black stories from those who actually live it. Shoot first and ask questions later, lynchings, redlining, policing of hair, food deserts, underfunded schools are just a day in the life struggle of being Black in America.
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A focus on a year in the life of rapper Earl “DMX” Simmons as he is released from prison in early 2019 and attempts to rebuild his career in the music industry and reconnect with family and fans.
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Connor McDavid: Whatever it Takes follows the most physically and emotionally challenging offseason of Connor McDavid’s career. This documentary is the remarkable comeback story of one of the NHL’s best players after what could have been a career ending or altering injury. A world-class medical team led by Mark Lindsay, supervised McDavid’s gruelling rehabilitation program which combined advanced sport science and imaging techniques with Connor’s sheer will to overcome, allowing him to return to the Edmonton Oilers lineup for the 2019-20 home opener. McDavid not only came back, but is faster and stronger than ever and having the best season of his young career. McDavid enters the 2020 All-Star break leading the NHL in scoring, and has his Edmonton Oilers in the hunt for 1st Place in the Pacific Division.
This intimate documentary explores a bygone era of cinematic passion and the emergence of young film enthusiasts in South Korea, including Bong Joon Ho.
Kerby Brown made headlines in 2008 when he surfed a 40-foot wave: The ride of a lifetime. He’s been chasing that thrill ever since. Facing Monsters follows Kerby and his brother Cortney into the furious power of the ocean
A Good American tells the story of the best code-breaker the USA ever had and how he and a small team within NSA created a surveillance tool that could pick up any electronic signal on earth, filter it for targets and render results in real-time while keeping the privacy as demanded by the US constitution.
Follow the exceptional spirit and drive of mixed martial arts (MMA) fighter Tatiana Suarez as she prepares to reenter the cage after nearly four years away from the sport. Suarez reflects on her journey from wrestling prodigy to professional athlete and the legacy she leaves young women, particularly those in the Latina community.
The O.J. Simpson case, as never told before. Tanya Brown, Nicole Brown Simpson’s sister, explores O.J. and Nicole’s relationship and the trial that followed, using Nicole’s words and the photos she left behind to reveal the Brown family’s experience.
On January 18, 2019, 17-year old Nick Sandmann, a student at the affluent Covington Catholic High School in Kentucky, was internationally villainized on social media and in the 24-hour news cycle as he and his classmates appeared to confront Native American elder Nathan Phillips on the steps of the Lincoln Memorial in Washington, D.C. during a March for Life rally. Video clips of the interaction went viral overnight and Sandmann and his classmates faced worldwide outrage as the entire Covington Catholic community became the center of uncomfortable conversations about racism, privilege and politics.
Exploring the labyrinth of the contemporary art world, The Price of Everything examines the role of art and artistic passion in today’s consumer-based society. Featuring collectors, dealers, auctioneers and a rich range of artists, from current market darlings Jeff Koons, Gerhard Richter and Njideka Akunyili Crosby, to one-time art star Larry Poons, the film exposes deep contradictions as it holds a mirror up to contemporary values and times, coaxing out the dynamics at play in pricing the priceless.
The first woman rabbi in the world, Regina Jonas, comes to light, courtesy of Rachel Weisz – who plays her – and her father George Weisz, who was the executive producer for this poetic and beautiful documentary. The daughter of an Orthodox Jewish peddler, Jonas was ordained in Berlin in 1935. During the Nazi era and the war, her sermons and her unparalleled devotion brought encouragement to the persecuted German Jews. Regina Jonas was murdered in Auschwitz in 1944. The only surviving photo of Jonas serves as a leitmotif for the film, showing a determined young woman gazing at the camera with self-confidence.