When their plane crashes on a remote snow-covered mountain, Jane and Paul have to fight for their lives as the only remaining survivors. Together they embark on a harrowing journey out of the wilderness.
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Looking to spice things up, Lucy and her boyfriend assume fake names and roleplay meeting for the first time in a bar. A few days later Lucy sees a news report about a missing persons case where the victim has the same name she just used.
A perverted dentist (and dental assistant) that likes to sleep with his patients, gets obsessed with one in particular who also happens to be a lesbian. He uses everthing he can think of to abuse this woman and her female lover. Ropes/Dental tools/Ice Buckets/Candles/ (the works) and sometimes he sets the mood with something from his classical music record collection.
A distant, slightly dysfunctional family is brought closer together when the father’s long-estranged Uncle Nino comes from Italy to Chicago for a surprise visit.
Based on Vocaloid songs from “Kokuhaku Jikko Iinkai ~Renai Series~” by HoneyWorks, the movie is the second film based on the songs, following Tetsuya Yanagisawa’s previous anime, “I Want to Let You Know That I Love You”.
An old Jewish baker struggles to keep his business afloat until his young Muslim apprentice accidentally drops cannabis in the dough and sends sales sky high.
Paul Harris works at a small research facility on the outskirts of Boston. After a weekend tryst with a co-worker leaves him wanting more, his unreciprocated desires gradually mold into an acute infatuation. When Danielle takes interest in a new scientist at the laboratory, Paul’s suppressed resentments and perverse delusions finally become unhinged, triggering a horrific course of events that mercilessly engulf a tortured past and fugitive present.
Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR