The film evolves around questions of identity, popular memory and culture. While focusing on aspects of Vietnamese reality as seen through the lives and history of women resistance in Vietnam and in the U.S, it raises questions on the politics of interviewing and documenting.
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A filmmaker’s journey through his past encounters with his 10 ex-girlfriends as he spends one surreal unforgettable night at a film festival after he meets a mysterious girl who intriguingly seems to have something to do with every woman in his life.
Zero (Wagner Moura) is a brilliant scientist, but unfortunate because 20 years ago was publicly humiliated and lost in college Helena (Alinne Moraes) the love of his life. One day, an accidental experience with one of his inventions makes him travel in time, more precisely, to the past. After the chance to change his story, Zero returns to this totally changed.
In CINEVANGELIST: A LIFE IN REVIVAL FILM, film historian and artist George Figgs tells the story of his life’s work in bringing revival cinema to Baltimore and beyond. From his role in Baltimore’s underground film scene of the 1960s and his involvement with the Orson Welles Cinema in Cambridge during the early ’70s, to helping manage Baltimore’s celebrated Charles Theatre in the ’80s, owning and operating the Orpheum Cinema during the ’90s, and continuing with the “third wave” of revival cinema today, Figgs has made it his mission to bring alternative films to the audiences who want to see them, in the way they were meant to be seen.
A married woman with an unwanted pregnancy lives in a time in America where she can’t get a legal abortion and works with a group of suburban women to find help.
Hysterical is an honest and hilarious backstage pass into the lives of some of stand-up comedy’s most boundary-breaking women, exploring the hard-fought journey to become the voices of their generation and their gender.
After being tricked into dropping everything to save her grandmother’s farm, big-city chef Oliwia falls for a handsome farmer who’s hiding a secret.
Kicked out of his band and home, a playful guitarist takes refuge with a bookkeeper, her son and dad. Is it possible to make sweet music together?
When Nick is fired from his high-powered investment firm at Christmastime, he takes a job at a Christmas tree lot. There, he meets Julie, an astronomy teacher who’s always looked to the stars for hope. As the Christmas spirit washes over him—and he begins falling for Julie—the once self-centered Nick discovers the joy of helping others.
10+10 is a project initiated by the Taipei Golden Horse Film Festival to demonstrate the solidarity between Taiwanese film-makers. 20 directors are invited to make a 5-minute short film each on the theme of the “Uniqueness of Taiwan,” but allowed total freedom in all other aspects.
The Future Doesn’t Need Us… Or So We’ve Been Told. With the rise of technology and the real-time pressures of an online, global economy, humans will have to be very clever – and very careful – not to be left behind by the future. From the perspective of those in charge, human labor is losing its value, and people are becoming a liability. This documentary reveals the real motivation behind the secretive effort to reduce the population and bring resource use into strict, centralized control. Could it be that the biggest threat we face isn’t just automation and robots destroying jobs, but the larger sense that humans could become obsolete altogether?
Samantha will need a Christmas miracle to help her sister, Emily, who cannot be with the one she loves unless Sam tames the shrewd owner of a competing winery.
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