A film in three parts: a man talking while a telephone rings, a walking tour of New York, and a goldfish swimming.
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Join the majestic Olympic elk as they traverse the alpine path from their winter home in the lowland shadow of Washington’s Mount Olympus, to the fertile grazing grounds of its towering peaks.
THE S FROM HELL is a short documentary-cum-horror film about the scariest corporate symbol in history – The 1964 Screen Gems logo, aka ‘The S From Hell.’ Built around interviews with survivors still traumatized from their childhood exposure to the logo after shows like Bewitched or The Monkees, the film brings their stories to life with animation, found footage, and dramatic reenactments.
A mariner survives an attack from the dreaded pirates of the Black Freighter, but his struggle to return home to warn it has a horrific cost.
The world of Revenge of the Mask 2 follows the events of the Big Head murders. Edge City is now experiencing a period of unintentional peace but not everybody is happy with Big Head’s actions. Detectives Kellaway and Doyle uncover the truth of Alan’s actions.
A drama about some of the potential problems of a human expedition to Mars and the possible consequences. A mixture of fact and fiction.
WHEN WE ARE BORN is a unique live performance film that tells a touching and thoroughly human story based in part on Ólafur’s life. Filmed on location in Iceland in summer 2020, it features the contributions of an unparalleled creative collective including ground-breaking choreographer Erna Ómarsdóttir, the Iceland Dance Company and cinematographer Thor Eliasson. The music in the film builds upon Ólafur’s critically praised new album ‘some kind of peace’ and was performed and recorded live on set, representing a constant cinematic conversation between picture and music. Vincent Moon’s intimate cinematic vision brings this layered metaphorical world to life as we see Ólafur’s music manifested and symbolised all around him through set design, lighting and dance. Through themes of rituals, relationships and exploration of our inner landscapes, this is a film focused on how we all move forward.
Carol Morley’s debut short uses the iconography of the genre of melodrama – the staircase, the father – to explore the story of a girl’s relationship with her father, and the impossibility of recreating a time, a place, and a memory. Cross-cutting between the girl protagonist and her father, the film creates a sense of crisis and conflict. As the girl invests her feelings in her surroundings and describes events connected to her father, we are drawn into a world of pain and pathos. Morley’s first directorial credit was her graduation film from Central St. Martin’s School of Art.
