For 200 days, the daily life of artist j-hope is captured. From his production of solo album “Jack in the Box” and listening party, this documentary follows him all the way to his debut on the stage of “Lollapalooza.”

In an electric stand-up special, Deon Cole ponders romance, racist hotel showers, post-coital bedtime prayers and why he loves women of a certain age.

The 100-year story of the iconic restaurant chain Horn & Hardart, the inspiration for Starbucks, where generations of Americans ate and drank coffee together at communal tables. From the perspective of former customers, we watch a business climb to its peak success and then grapple with fast food in a forever changed America.

This real-life thriller tells the story of one of Israel’s prized intelligence sources, recruited to spy on his own people for more than a decade. Focusing on the complex relationship with his handler, The Green Prince is a gripping account of terror, betrayal, and unthinkable choices, along with a friendship that defies all boundaries.

Culled from more than 100 hours of new and archival interviews with former Manson cult members, this two-hour special goes inside Spahn’s Ranch, where the Manson cult lived, to offer an intimate and terrifying look into America’s most murderous group.

Mistaken for Strangers follows The National on its biggest tour to date. Newbie roadie Tom (lead singer Matt Berninger’s younger brother) is a heavy metal and horror movie enthusiast, and can’t help but put his own spin on the experience. Inevitably, Tom’s moonlighting as an irreverent documentarian creates some drama for the band on the road. The film is a hilarious and touching look at two very different brothers, and an entertaining story of artistic aspiration.

The path to going plant-based has obvious upsides, but can also be isolating and difficult. Shouldn’t there be some middle ground for people looking to make a change without totally upending their lives? Leader of the Reducetarian Movement, Brian Kateman explores this issue through the lens of his own personal decision to reduce eating meat. Grappling with how to sort through conflicting advice, Brian seeks a practical path forward.

Beginning with Space Invaders in 1978, arcade games began to appear everywhere. By 1982, there were 13,000 dedicated arcade locations across North America. It was the Golden Age of Arcade Games, generating $3.2 billion dollars in 1983. By 1985, revenue had fallen 97%. Atari declared bankruptcy. Arcades closed. Most of the old games were converted or destroyed. A few were packed into warehouses where they remained, largely forgotten, for at least another decade. This is the story of arcade video games, and the generation who grew up in the arcades attempting to collect and preserve their fondest memories.

Two A.I. Scientists agree that a Technological Singularity is coming… and that the super-intelligent machines that they are building will lead us there. However, they disagree on whether humans will survive the coming revolution.

When filmmaker and investigative journalist Frances Causey, a daughter of the South, set out to explore the continuing racial divisions in the US, what she discovered was that the politics of slavery didn’t end with the Civil War. In an astonishingly candid look at the United States’ original sin, The Long Shadow traces slavery’s history from America’s founding up through its insidious ties to racism today.

A look at the events leading up to the Taliban’s attack on the young Pakistani school girl, Malala Yousafzai, for speaking out on girls’ education and the aftermath, including her speech to the United Nations.

Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits – mostly working class, mostly self-educated – adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.