Supermensch documents the astounding career of Hollywood insider, the loveable Shep Gordon, who fell into music management by chance after moving to LA straight out of college, and befriending Janis Joplin, Jim Morrison and Jimi Hendrix. Shep managed rock stars such as Pink Floyd, Luther Vandross, Teddy Pendergrass and Alice Cooper, and later went on to manage chefs such as Emeril Lagasse, ushering in the era of celebrity chefs on television.
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Philip Roth, arguably America’s greatest living novelist, turns 80 on March 19. In 1959, his collection of short stories, Goodbye, Columbus, put him on the map, and 10 years later his hilarious, ribald best-seller, Portnoy’s Complaint, gave rise to the first of many Roth-related controversies in which Judaism, sex, the role of women, and the parent-child relationship would take center stage. In candid interviews, the Pulitzer Prize-winner discusses his distinctly unliterary upbringing in Newark, NJ, his admiration for Saul Bellow and Bernard Malamud, and how Zuckerman may or may not be his alter-ego. Nathan Englander, Mia Farrow, Jonathan Franzen, and Martin Garbus are among those who talk about the man and his writing. Franzen in particular praises Roth for “how brave he must have been to have methodically offended everybody and to have exposed parts of himself no one had ever exposed before.”
Swept up in the counterculture revolution of the late-1960s, a wealthy businessman starts a commune in pursuit of a utopian society. But his dreams are thwarted when he and his chosen family are faced with a series of tragedies that threaten their existence.
A profile of Hip-Hop producer 9th Wonder as he accepts a position as a Harvard Fellow.
The Academy Award-winning director and National Geographic Explorer-at-Large James Cameron adds a postscript to his fictional retelling of the tragedy. After hearing fans continue to insist Jack didn’t have to die that night, he mounts tests to see, once and for all, whether both Jack and Rose could have fit on that raft and survived.
In the spring of 1939, Gilbert and Eleanor Kraus embarked on a risky and unlikely mission. Traveling into the heart of Nazi Germany, they rescued 50 Jewish children from Vienna and brought them to the United States.
No topic is off limits for Jim Jefferies as he muses on stoned koalas, his dad’s vasectomy confusion and choosing between his hair and his sex drive.
The trip down the conspiracies that made Donald Trump president of the USA.
On January 1, 2014, recreational marijuana sales began in Colorado. With all eyes on ground zero of the green rush, The Denver Post became the first major media outlet to embrace it and appointed the world’s first marijuana editor. Legalization is not just an experiment for society, but a risk for the dying industry of newspapers to hedge its bets on the booming business of marijuana. Ricardo Baca sets out to report on history in the making with a team of straight-laced staff writers and fish out of water freelancers in tow for The Cannabist as it unfolds. Policy news, strain reviews, parenting advice and edible recipes are the new norm in the unprecedented world of pot journalism.
In 2012, one in three babies in America were delivered by c-section, despite the World Health Organization’s recommendation that Cesarean births remain below 15 percent. How can these disturbing trend be reversed? In recent years, the idea of a collaborative care practice where doctors and midwives manage women’s care together has begun to gain traction in the United States. The Mama Sherpas is a feature-length documentary film about women receiving their maternity care through midwife-doctor teams. We follow nurse midwives, the doctors they work with, and their patients to provide an investigative lens into how midwives work within the hospital system.
How do you put a life into 500 words? Ask the staff obituary writers at the New York Times. OBIT is a first-ever glimpse into the daily rituals, joys and existential angst of the Times obit writers, as they chronicle life after death on the front lines of history.
During the same summer as Woodstock, over 300,000 people attended the Harlem Cultural Festival, celebrating African American music and culture, and promoting Black pride and unity. The footage from the festival sat in a basement, unseen for over 50 years, keeping this incredible event in America’s history lost—until now.