In 1984, a Russian research team goes below the surface to find out what secret the world’s deepest borehole is hiding. On their expedition, something unexpectedly gruesome awaits the researchers.
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BRUTAL centers on Trevor (Morgan Benoit), abducted from his backyard at the age of fifteen by an unseen alien presence. Forced into nearly two decades of no-holds-barred fights against other abductees inside an unearthly mixed martial arts arena, Trevor has evolved from an innocent boy into a brutal fighting machine. Derek, (Jeff Hatch) an ambulance chasing lawyer, is the latest lab-rat abductee forced to fight Trevor. As the two men exchange ever-increasing beating over the course of weeks and months, the brutality of their existence and the true nature of their humanity is slowly revealed. With elements of THE TWILIGHT ZONE and THE PRISONER, BRUTAL explores through science fiction, allegory and psychological drama, man’s violent nature and our propensity to commit unthinkable acts of violence against each other. Yet through this prism of brutality our capacity to love one another, even in the worst of circumstances is celebrated.
Mr. Freeze turns Killer Croc and Bane into super-sized monsters, and they bash their way through downtown Gotham until the Caped Crusader and his team of heroes join the fight in their giant robot mechs.
After a painful breakup, Leah seems to meet the perfect guy. But she soon discovers his violent side that disrupts her life.
A woman’s one-night stand turns out to be her friend’s husband, and a local political candidate.
At a car accident site, Ji-Noo (Ryoo Seung-Bum), Na-Mi (Koh Joon-Hee), Jung-Sook (Ryoo Hyoun-Kyoung) and Yakuboo (Samuel Okyere) find a bag filled with money. They become involved in a dangerous case.
Hyper-Reality presents a provocative and kaleidoscopic new vision of the future, where physical and virtual realities have merged, and the city is saturated in media.
After supervillain Shredder escapes custody, he joins forces with mad scientist Baxter Stockman and two dimwitted henchmen, Bebop and Rocksteady, to unleash a diabolical plan to take over the world. As the Turtles prepare to take on Shredder and his new crew, they find themselves facing an even greater evil with similar intentions: the notorious Krang.
An unexpected promotion at a cutthroat hedge fund pushes a young couple’s relationship to the brink, threatening to unravel not only their recent engagement but their lives.
Derrick De Marney finds himself in a 39 Steps situation when he is wrongly accused of murder. While a fugitive from the law, De Marney is helped by heroine Nova Pilbeam, who three years earlier had played the adolescent kidnap victim in Hitchcock’s The Man Who Knew Too Much. The obligatory “fish out of water” scene, in which the principals are briefly slowed down by a banal everyday event, occurs during a child’s birthday party. The actual villain, whose identity is never in doubt (Hitchcock made thrillers, not mysteries) is played by George Curzon, who suffers from a twitching eye. Curzon’s revelation during an elaborate nightclub sequence is a Hitchcockian tour de force, the sort of virtuoso sequence taken for granted in these days of flexible cameras and computer enhancement, but which in 1937 took a great deal of time, patience and talent to pull off. Released in the US as The Girl Was Young, Young and Innocent was based on a novel by Josephine Tey.
As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
