The adventures of a family of genetically modified super-zombies.
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Latin History for Morons: John Leguizamo’s Road to Broadway captures John’s quest to cram 3,000 years of history into 90 minutes of stage time and bring a whole new set of historical characters back to life as one man. Infused throughout the documentary is John’s special brand of humor and openness. The road to his ultimate goal – his next Broadway hit – unfolds in a fun, intriguing, and poignant adventure that not only offers an intimate look into the journey of a passionate artist, but also shines a light on the rarely-told stories of Latino heroes who made their mark on America.
Militant optimist Andrew Maxwell shows off his 21 years of experience on the Fringe with this polished, political hour. Thought-provoking, charming and masterful as ever, this cheerful Dubliner’s observations are interwoven with razor sharp social commentary. Newly wedded to his muslim wife, Maxwell’s take on culture, religion and immigration is as fierce as it is funny.
Distraught, confused, and half-wild with fear, Sarah Carter emerges alone from the Appalachian cave system where she encountered unspeakable terrors. Unable to plausibly explain to the authorities what happened – or why she’s covered in her friends’ blood – Sarah is forced back to the subterranean depths to help locate her five missing companions.
An experimental filmmaker takes a job as a driver for a foul-mouthed child actor and his ambitious stage mother.
After witnessing her Daddy’s tragic death in the ring Charlie sets out to become a wrestler in his memory. The only things stopping her are a disapproving boyfriend, an overwhelming day job, and her corporate psycho boss – whose dodgy business practices threaten to unleash hordes of brain eating wrestling-monsters on the earth! Faced with a wrestle-pocalypse Charlie has no choice but to open up a can of whoop-ass and take these monstrous Jabronis for a stroll down smack down boulevard! From the director of the international cult film MURDERDROME comes FROM PARTS UNKNOWN: FIGHT LIKE A GIRL. The story of a young girl wrestling with life’s issues – and some brain eating wrestle-monsters.
A razor sharp comedy all about relationships and red tape. Kreso is at a loose end. A fully qualified biologist, he’s about to hit middle age, disillusioned, out of work and stuck in a marriage that should probably never have started. At least his son still looks up to him. Meanwhile, the country’s cash-strapped government is busily looking for unique ways to save money, and now, over 20 years after the 1990’s war, sets its sights on the widows of fallen soldiers. Anyone unmarried but in a new relationship will no longer be allowed a military pension. Enforcing such an unpopular measure requires a new department: The Ministry of Love, whose purpose will be to gather information on any widows breaking the new law. With nothing to lose, Kreso agrees to be put forward by his pushy father in law. The only problem is, together with his eccentric partner, Sikic, he’s completely the wrong man for the job.
Blondie and Dagwood are about to celebrate their fifth wedding anniversary but this happy occasion is marred when the bumbling Dagwood gets himself involved in a scheme that is promising financial ruin for the Bumstead family. Camping on the porch of the Poor House would become the most-used prevalent plot line in the 27 series-films that followed. It was also an issue in the comic-strip for about a year after its inception when it was basically a continuity strip but, aside from Dagwood’s inability to coax a pay-raise from Mr. Dithers over the years, the financial status of the family was seldom an issue when the format switched to a gag-a-day strip.
Rising music star Layne heads home to Nashville for New Year’s Eve to break her writer’s block, but sometimes you find inspiration – and love – where you least expect it.
Jason and his wife, Sarah, leave their adopted home of Shanghai and travel to Vancouver, British Columbia, for his uncle’s funeral, staying with his Aunt Mei. Already disoriented, Jason and Sarah are unnerved when their son, Sam, begins seeing ghosts and violent deaths. After Sam is hospitalized, Sarah consults with a pharmacist who’s well-informed about Chinese mythology and who tells her that supernatural forces threaten her son.
In order to learn how to be responsible, two wealthy teen sisters are forced to work in the family business by their exasperated father. When company funds goes missing, it’s up to the girls to save the day.