“It’s a Hard Truth Ain’t It” is a companion piece to “O.G.”, a narrative drama also directed by Madeleine Sackler. It is co-directed by thirteen men incarcerated at the Pendleton Correctional Facility in Pendleton, Indiana.
Given unprecedented access to a maximum security prison, filmmaker Madeleine Sackler worked with a group of inmates to tell their own stories, giving rise to this collaborative, intimate documentary project.

Released to coincide with the 30th anniversary of this classic album, learn how Pink Floyd assembled “Dark Side of the Moon” with the aid of original engineer Alan Parsons. All four band members–Roger Waters, David Gilmour, Nick Mason, and Richard Wright–are interviewed at length, giving valuable insights into the recording process. The themes of the album are discussed at length, and the band take you back to the original multi track tapes to illustrate how they pieced together the songs. With individual performances of certain tracks from Roger, David, and Richard included, this is an essential purchase for any Pink Floyd fans, and a fascinating artefact for rock historians everywhere.

Documentary about British author and actor Alan Bennett. Recorded over the course of a year, the film features a number of intimate encounters with Bennett, including a trip to New York to receive an award from the city’s public library, a national radio appearance and a visit to his local community-run library in Primrose Hill, London. Reflecting on key periods of his life as well as providing observations on current events.

A focus on a year in the life of rapper Earl “DMX” Simmons as he is released from prison in early 2019 and attempts to rebuild his career in the music industry and reconnect with family and fans.

Sharing her journey from child to teen activist, Georgie Stone looks back at her life and historic fight for transgender rights in this documentary.

Vertical Freedom is an epic, feature-length documentary film highlighting the professional and personal lives of six communications infrastructure workers in the United States who possess diverse backgrounds and compelling stories, on and off the job.

Recently discovered footage reveals the secret history of NASA’s first landing on the moon, and using this brand-new evidence, former astronauts and experts challenge everything known about the Apollo missions.

An extensive look at the making of Fright Night (1985) and Fright Night Part 2 (1988) featuring exclusive interviews with cast and crew members, rare photographs, behind-the-scenes footage and more.

An astonishing journey revealing the awesome power of the natural world. Over the course of one single day, we track the sun from the highest mountains to the remotest islands to exotic jungles.

In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.

“What’s on your mind?” It’s the friendly Facebook question which lets you share how you’re feeling. It’s also the question that unlocks the details of your life and helps turn your thoughts into profits.

Director ‘Nicholas Ray’ is eager to complete a final film before his imminent death from cancer. Wim Wenders is working on his own film Hammett (1983) in Hollywood, but flies to New York to help Ray realize his final wish. Ray’s original intent is to make a fiction film about a dying painter who sails to China to find a cure for his disease. He and Wenders discuss this idea, but it is obviously unrealistic given Ray’s state of health.