An unfaithful newly-wed wife, an estranged father, a priest and an angry son suddenly find themselves in the most unexpected predicaments, each poised to experience their destiny, all on one fateful day.
You May Also Like
A full-length adaptation, originally staged as a play, of the court-martial segment from the novel “The Caine Mutiny”.
A young Indian man comes to 1970s America on a quest for success, only to end up concocting an elaborate farce with a group of misfit roommates in order to woo his childhood crush.
It’s five years later and Tony Manero’s Saturday Night Fever is still burning. Now he’s strutting toward his biggest challenger yet – making it as a dancer on the Broadway stage.
A troubled and neurotic Italian Countess betrays her entire country for a self-destructive love affair with an Austrian Lieutenant.
Five tales of human vulnerability and the hilarious, painful, and awkward curveballs life throws us.
A fictional movie star, Gray Evans, goes through the disintegration of his marriage, his gradual mental breakdown, and his increasing obsession with a young film student who reminds Gray of his own life before becoming famous. A dark psychological drama, I Love Your Work explores the pressures of fame and the difference between getting what you want and wanting what you get.
Tianya and his sister are ordered by General Feng Peichuan to embark on a treasure hunt to find the Golden Moon Gem to cure the plague in Heishui Town, but General Feng Peichuan has other motives for finding this treasure.
Karen lives alone with her son since he was separated from her husband. One night he meets a man who has all the qualities to be perfect, and they begin a wonderful relationship. But calls from an unknown constant concern to Karen, as suspected her ex-husband does not accept her new relationship.
Toronto-based documentary filmmaker and cinematographer Nicholas de Pencier (Four Wings and a Prayer, Watermark) examines the complex global impact that the internet has had on matters of free speech, privacy and activism.
The film centers on a random act of theft that has put Tom Hammond’s life into a tailspin. Stolen from his bookshop is Tom’s most treasured possession, a photograph of him with his son Luke…their last moment of shared happiness. The Last Photograph is set between London in 2002, and a dark night in 1988 when Pan Am 103 was blown out of the sky over Lockerbie.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
An American journalist is set up and fed false information after the Lebanon war.
