A conservationist travels to Hawaii for her best friend’s wedding and instead of a relaxing vacation, finds herself in wedding prep and helping the new hotel manager make changes to his family hotel.

David, a young farmer from Cantal, has just had an idea: to save his farm from bankruptcy, he is going to set up a cabaret on the farm. The show will be on stage and on the plate, with good local products. He is sure, it can only work. His relatives, his mother and especially his grandfather, are more skeptical.

The autobiography of a Somalian nomad who was sold in marriage at 13, fled from Africa a while later to become finally an American supermodel and is now at the age of 38, the UN spokeswoman against female genital mutilation.

The Goalie’s Anxiety at the Penalty Kick is a 1972 German language drama film directed by Wim Wenders. It was adapted from a novella by Wenders’ long-time collaborator Peter Handke. A goalkeeper is sent off during a game for committing a foul. He spends the night with a cinema cashier, whom he afterwards kills. Although a type of detective film, it is more slow moving and contemplative than other films of the genre. It explores the monotony of the murderer’s existence and, like many of Wenders’ films, the overwhelming cultural influence of America in post-war West Germany.

Molly Gunn, the freewheeling daughter of a deceased rock legend, is forced to get a job when her manager steals her money. As nanny for precocious Ray, the oft ignored daughter of a music executive she learns what it means to be an adult while teaching Ray how to be a child.

A young German woman bonds with an elderly Japanese woman while touring the Fukushima region of Japan in the aftermath of the 2011 earthquake.

In pre-revolution Cuba, Katey Miller is about to defy everyone’s expectations. Instead of a parent-approved suitor, Katey is drawn to the sexy waiter, Javier, who spends his nights dancing in Havana’s nightclubs. As she secretly learns to dance with Javier, she learns the meanings of love, sensuality and independence.

Detective Philip Marlowe is hired by hulking Moose Malloy to locate his old girlfriend that he lost track of while serving time in prison. With each lead he follows, Marlowe encounters lies, larceny, perjury, theft and a beautiful femme fatale. Based on Raymond Chandler’s novel “Farewell My Lovely”, which was also the film’s title in the United Kingdom.

Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend’s new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film’s subject.

This was Jerry Lewis’ answer to the classic Cinderella story. When his father dies, poor Fella is left at the mercy of his snobbish stepmother and her two no-good sons, Maximilian and Rupert. As he slaves away for his nasty step-family, Maximilian and Rupert attempt to find a treasure Fella’s father has supposedly hidden on the estate. Meanwhile, hoping to restore her dwindling fortunes, the stepmother plans a fancy ball in honor of the visiting Princess Charmein whom she hopes will marry Rupert. Eventually, Fella’s Fairy Godfather shows up to convince him that he has a shot at winning the Princess himself.

Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he’s making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making. She sneaks into Mark’s apartment to watch it and is horrified by what she sees — especially when Mark catches her.

Stu Undercoffler (Eric Roberts) is a corrupt CEO whose drive for power has led him to make some highly unethical choices. Once Stu’s self-serving decisions have begun to spread darkness through the world, there’s no stopping it. After losing his wife, Stu begins to have a crisis of conscience but starts to believe he is being stalked and has been hallucinating. Is he losing his mind or have his former victims come back to wreck havoc on him?