After killing and cannibalizing several men and being found unfit for trial, Regina Stevens desperately tried to convince her psychiatric caregivers that she wasn’t mentally ill, but was in fact slowly becoming a real life zombie.

After a heartbreaking loss, a grandfather struggling to reclaim his passion for painting finds the inspiration to create again.

Leon Alastray is an outlaw who has been given sanctuary by Father John, whom he then escorts to the village of San Sebastian. The village is deserted, with its cowardly residents hiding in the hills from Indians, who regularly attack the village and steal all their supplies. When Father John is murdered, the villagers mistakenly think the outlaw is the priest. Alastray at first tells them he is not a priest, but they don’t believe it, and an apparent miracle seems to prove they are correct. Eventually, he assists them in regaining their confidence and defending themselves.

Sent to Paris to visit their grandfather, the twins fall in love with France, not to mention two French boys.

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Fourth-generation Army Col. William McNamara is imprisoned in a brutal German POW camp. Still, as the senior-ranking American officer, he commands his fellow inmates, keeping a sense of honor alive in a place where honor is easy to destroy, all under the dangerous eye of the Luftwafe vetran Col. Wilhelm Visser. Never giving up the fight to win the war, McNamara is silently planning, waiting for his moment to strike back at the enemy. A murder in the camp gives him the chance to set a risky plan in motion. With a court martial to keep Visser and the Germans distracted, McNamara orchestrates a cunning scheme to escape and destroy a nearby munitions plant, enlisting the unwitting help of young Lt. Tommy Hart. Together with his men, McNamara uses a hero’s resolve to carry out his mission, ultimately forced to weigh the value of his life against the good of his country.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Based on a play by Hisashi Inoue, it focuses on the sufferings of the survivors of Hiroshima. The film takes place during 4 days in the summer of 1948, as the ghost of her father visits Mitsué (Rié Miyama). He had somehow learned that she has fallen in love, and tries to convince her to start her new life. But Mitsué obstinately refuses his warm and humorous encouragements : « People were killed in my place. I do not have the right to find happiness », she says.

Radu lives a solitary, sterile life. A promising job interview seems to give him a chance of breaking free from depression, but after some medical tests required by the company, he finds out that he only has a few more months left to live.

A deodorant company with a product called “Smell No Mo” pits two rival ad agencies in a race to come up with a campaign for a new-fangled sanitary napkin called Vorcan. The advertising satire follows the New York firm of Cranston & Co. as they fight rival Hoffman & Partners. Cranston fires his creative director which puts a young copywriter with a literature degree on the front line, even though he doesn’t want to be. The contest comes down to a schmaltzy campaign by Hoffman with music by Air Supply that uses the tagline “Vorcan: your own personal air supply.” or a more down to earth campaign from Cranston of “The pad ain’t bad!”

On 3 April 2004, during the holiday of Ashura, Iraqi rebels loyal to Shiite leader Muktada As-Sadr, launched an insurgency in the Polish zone. The Poles, together with Bulgarian soldiers and Iraqi police, were given the task of defending City Hall, led by Lieutenant colonel Grzegorz Kaliciak. The clash developed into the biggest Polish engagement since World War II. Not a single allied soldier died, although about 80 insurgents were killed in a counter-attack.

Life through the eyes of an addict.