Colette is an aspiring actor in New York City. She decides to go behind the camera on the last day of 2016 and make a film of her own.

Sancaka has lived on the streets since his parents left him. Living a hard life, Sancaka survives by thinking about his own safety. When the condition of the city gets worse and injustice rages throughout the country, Sancaka must decide whether he continues to live to look after himself or rise to become their oppressed hero.

An aspiring dancer moves to New York City and becomes caught up in a whirlwind of flighty fair-weather friends, diminishing fortunes and career setbacks.

Estranged from his family, Jonathan (Hedlund) discovers his father has decided to take himself off life support in forty-eight hours’ time. During this intensely condensed period, a lifetime of drama plays out. Robert (Jenkins) fights a zero sum game to reclaim all that his illness stole from his family. A debate rages on patients’ rights and what it truly means to be free. Jonathan reconciles with his father, reconnects with his mother (Archer), sister (Brown-Findlay), and his love (Adams) and reclaims his voice through two unlikely catalysts – a young, wise-beyond-her-years patient (Barden) and a no-nonsense nurse (Hudson). Through this intensely life affirming prism, an unexpected and powerful journey of love, laughter, and forgiveness unfolds.

Himura Kenshin is a legendary swordsman who has stopped killing people with his sword. Instead, he uses a dull-edged sword. He tries to live a peaceful life with Kaoru who runs a swordsmanship school in their village. Kenshin’s past catches up to him causing the destruction of Akabeko Restaurant, which was Kenshin’s favorite place to eat. There, he finds a note with the word ‘Jinchuu’ on it.

Arianna is nineteen, but she’s still waiting to get her first period. As the summer begins, her parents decide to renew their acquaintance with their country house on Lake Bolsena, where Arianna lived until she was three, and has never been back. As the family settle in for the summer, long-repressed memories start to re-emerge, and Arianna decides to stay on after her parents return to the city.

A mother is determined that her daughter will be a movie star, and will do anything–and have her daughter do anything–to make it happen.

A single father decides to break his dying wife’s last wish to not box again in order to save his young son from certain death.

The film is a coming-of-age story of a young boy named Apu, and life in his small Indian village in the early years of the 20th century. Apu is born to a poor Brahmin family in Bengal. His father Harihar is a priest who dreams of becoming a successful poet and a playwright; he does not earn enough, but the mother Sarbajaya keeps the family going. Because of their limited resources, Sarbajaya resents having to share her home with Harihar’s elderly cousin: the old and helpless cripple Indir. Apu’s sister Durga is always getting into trouble for stealing guavas from the neighbour’s orchards for Indir. She cares for Apu like a good older sister but loves to affectionately tease him. Together, they make do with what they have and enjoy the simple joys of life.

Years after her son’s suicide, a woman longs to confront both the past and a friend of his who took his business idea.

Based on the novel “Panther in the Basement” by the world-renowned author, Amos Oz, the movie takes place in Palestine in 1947, just a few months before Israel becomes a state. Proffy Liebowitz, a militant yet sensitive eleven year old wants nothing more than for the occupying British to get the hell out of his land.

Elli is an android and lives with a man she calls her father. Together they drift through the summer. During the day they swim in the pool and at night he takes her to bed. She shares his memories and anything else he programs her to recall. Memories that mean everything to him but nothing to her. Yet, one night she sets off into the woods following a fading echo… The story of a machine and the ghosts we all carry within us.