Ship engineer Jim Taggert is rescued from a torpedoed tramp steamer by Joe Morgan, an American gangster that found New York too hot for him, and has become a fisherman operating from an out-of-the-way island off of the coast of South America. Morgan makes his headquarters at the Halfway House run by the parents of Maria Styx as a bar and dance resort catering to the planters and traders of the island. Taggert finds himself practically a prisoner along with a group of American girls acting as entertainers at the resort. Taggert shadows Morgan in his activities in a remote cove and finds that Morgan is supplying German U-boat commanders with torpedoes, but does not know that Morgan has rigged the torpedoes with clock devices that explode when at sea and sinks the U-boats.
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Attorney Anthony Keane agrees to represent Londonite Mrs. Paradine, who has been fingered in her husband’s murder. From the start, the married lawyer is drawn to the enigmatic beauty, and he begins to cast about for a way to exonerate his client. Keane puts the Paradine household servant on the stand, suggesting he is the killer. But Keane soon loses his way in the courtroom, and his half-baked plan sets off a stunning chain of events.
Saxophone player Charlie Parker comes to New York in 1940. He is quickly noticed for his remarkable way of playing. He becomes a drug addict but his loving wife Chan tries to help him.
Prequel to the Henry James classic “Turn of the Screw” about the events leading up to the deaths of Peter Quint and Ms. Jessel, and the the slow corruption of the children in their care.
The protagonist Andrii Dovzhenko finds out a horrible truth, that has been hidden in USSR for years – most of those accused of «anti-Soviet propaganda» were never sent to prison, but to special psychiatric hospitals with a diagnosis of “slow progressive schizophrenia”. Andrii finds himself in a real hell of punitive psychiatry and faces a difficult choice – to cooperate with the KGB and return to his family, or to reveal the truth about dissidents tortured in such psychiatric hospitals. The script was based on the memoirs of Soviet dissidents who faced the brutality of a totalitarian system that used so-called “punitive psychiatry” as a weapon against free thought.
A young street artist in East Los Angeles is caught between his father’s obsession with lowrider car culture, his ex-felon brother and his need for self-expression.
Emily Lindstrom, 14, is an aspiring concert violinist; she’s spending the summer practicing for a big audition while her girlfriends are at camp. She’s also got a thriving neighborhood business: for 50 cents, she’ll keep your secret. Her mother is very pregnant, and her parents seem more concerned about the new baby than anything Emily cares about. A new family moves in next door; their son, Philip, 12, becomes Emily’s friend. Eventually, the weight of Emily’s secrets – her own, the ones she’s keeping professionally, and a secret Philip tells her, send her life temporarily crashing down.
Henry Poole abandons his fiancée and family business to spend what he believes are his remaining days alone. The discovery of a ‘miracle’ by a nosy neighbor ruptures his solitude and restores his faith in life.
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