Documentarian Richard Morris examines both the onstage and offstage lives of veteran cabaret entertainers John Wallowitch and Bertram Ross. Since 1984, Wallowitch and Ross have been a performing duo, entertaining nightclub audiences with such acid-tongued musical parodies as “If You Don’t Love Me, I’ll Kill Myself — Or Maybe I’ll Kill You” and “Don’t Do To Me What Woody Did To Mia.” Wallowitch and Ross have also been lovers for 30 years, who met while while both were active in the New York creative community; Ross spent close to three decades as a dancer with the Martha Graham company and Wallowitch is a Julliard-trained pianist and songwriter with over 1,000 compositions to his credit. Morris exmines Wallowitch and Ross both as artists and members of the gay community without patronizing or exploiting them in the process.

Pascal Marchand arrived in the mythical land of Burgundy to harvest the grapes at age 21. Now 30 years later, he is a renowned wine artist and innovator. Shot over the catastrophic 2016 season, the film is both a love letter and a cautionary tale.

The award-winning film documents the amazing, true-life adventures of Billy Meier, the only proven UFO contactee.

Dave Navarro is a trauma survivor of the highest order. When Dave was only 15 years old his mother was brutally murdered by her estranged ex-boyfriend. For 8 long years her killer avoided capture while Dave dealt with his deepest, darkest fears through drugs, art and escapism. In a heartbreaking, inspirational journey, Dave confronts the events that changed his life forever. Through revelations from friends and family, to the cold hard facts from police and FBI agents, Dave attempts to come to terms with his mother’s senseless murder and the horrific realities of domestic violence.

Infowars host, Alex Jones teams up with lawyer, Robert Barnes to expose the lies and manipulation from the mainstream media regarding the Covington Catholic School controversy which kicked off 2019.

Dive into the hidden industry of digital cleaning, which rids the Internet of unwanted violence, porn and political content. Who is controlling what we see…and what we think?

Follows the artist over two years as he explores his „life after Beethoven“, as he searches for his next challenge, his identity as an artist.

Russian Federation, December 31, 1999. After President Boris Yeltsin’s unexpected resignation, Prime Minister Vladimir Putin becomes acting president of the country. From that day and for a year, Vitaly Mansky’s camera documented Putin’s rise to power. The story of a privileged witness. The harsh explanation of the reason why politics is the art of possibility of achieving the best with the support of many, but also of giving the worst in return.

The sacrifice of self, the acclaim, the adoring crowds — classical pianist Marika Bournaki fits the role. But the title of Bobbi Jo Hart’s award-winning biographical documentary, I am Not a Rock Star, speaks to the contradictions of Bournaki’s life. Shot over a span of eight years – following the pianist from 12 to 20 years of age – Hart’s film amounts to a front row seat in the unfolding of a life and the forming of a personality. Shot in verité style in concert halls, hotels and airports around the world and featuring stunning piano performances, the film turns Bournaki’s life into a visual narrative, revealing both the rewards and costs of a life dedicated to music

An exposé on how Hollywood and the mainstream media manipulate the multitudes by spreading propaganda throughout their content.

A close-up portrait of the daily lives of two cows.

The American Diplomat explores the lives and legacies of three African American ambassadors — Edward Dudley, Terence Todman and Carl Rowan — who pushed past historical and institutional racial barriers to reach high-ranking appointments in the Truman, Eisenhower and Kennedy administrations. At the height of the civil rights movement in the United States, the three men were asked to represent the best of American ideals abroad while facing discrimination at home. Oft reputed as “pale, male and Yale,” the U.S. State Department fiercely maintained and cultivated the Foreign Service’s elitist character and was one of the last federal agencies to desegregate. Through rare archival footage, in-depth oral histories and interviews with family members, colleagues and diplomats, the film paints a portrait of three men who left a lasting impact on the content and character of the Foreign Service and changed American diplomacy forever.