On the sand dunes of her local beach a female jogger returns to the scene of a crime looking for closure.
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A naive law student and bride sign a form presented to her by her new husband as a friendly agreement. Fast forward years later, when the marriage is fallen apart, she realizes that she’d been tricked.
16-year-old juvenile offender Ji-gu reunites with his young mom who he thought was dead, and the two try to make up for their time lost.
This Canadian made comedy/drama, set in Hamilton, Ontario in 1954, is a sweet and – at times – goofy story that becomes increasingly poignant as the minutes tick by.
It’s the fictional tale of a wayward 9th grader, Ralph (Adam Butcher), who is secretly living on his own while his widowed, hospitalized mother remains immersed in a coma. Frequently in trouble with Father Fitzpatrick (Gordon Pinsent), the principal of his all-boys, Catholic school, Ralph is considered something of a joke among peers until he decides to pull off a miracle that could save his mother, i.e., winning the Boston Marathon. Coached by a younger priest and former runner, Father Hibbert (Campbell Scott), whose cynicism has been lifted by the boy’s pure hope, Ralph applies himself to his unlikely mission, fending off naysayers and getting help along a very challenging path from sundry allies and friends.
Acharya, a middle-aged Naxalite-turned-social reformer, launches a fight against the Endowments Department over misappropriation and embezzlement of temple funds and donations.
Generation Gap is a television movie about a troubled New York teen and his rigid grandfather learning about life and love from each other.
After the failure of the Kossuth’s revolution of 1848, people suspected of supporting the revolution are sent to prison camps. Years later, partisans led by outlaw Sándor Rózsa still run rampant. Although the authorities do not know the identities of the partisans, they round up suspects and try to root them out by any means necessary.
A stomach churning potpourri of explosions, gunfire and army trucks ramming through grass and twig huts. The needle in a haystack plot seems to involve our protagonist rescuing his family from some South American drug cartel, or something. At one point Carradine yells those immortal words: “get the hell out of here” through closed lips. The villain of the piece never utters a line of dialogue, preferring instead to stalk about in a cape, squinting cannily beneath beret and drooping mustache (with hawk perched on shoulder for added effect). Avoid at all costs, unless you enjoy beating yourself repeatedly over the head with a flail.
Manifest: The Chryzinium Era is a 2017 American science fiction short film drama, written, directed and produced by Rick Lord, Phillip Wade and Tim Wade, in which Madison and her father are outcasts in a society ruled by an alien civilization. Survival is becoming more difficult, forcing Madison to make a decision that will change her life forever. The film stars Phoebe Jacobs, Rick Lord and Tim Wade.
After agreeing to meet an obscene caller at a bar, a young New York reporter witnesses a murder and becomes an unwilling player in a dangerous game of cat-and-mouse.
