Leading Australian documentarian Eddie Martin puts viewers on the frontlines of the deadly 2019–2020 bushfires, capturing the catastrophe with a perspective and scale never before seen. 24 million hectares were burnt, 3000 homes were destroyed, 33 people died, and nearly three billion animals perished or were displaced. Fire Front is a powerful account of that calamitous antipodean summer, told from the ground where climate change took on the face of hell.

The story of Ollie and Zoe, a newly engaged couple who agree to try out an open relationship.

The remarkable story of WWII infantryman and photographer Tony Vaccaro, who created one of the most comprehensive, haunting and intimate photographic records of the war using a smuggled $47 camera while developing the negatives in his helmet at night.

“A Film About Coffee” is a love letter to, and meditation on, specialty coffee. It examines what it takes, and what it means, for coffee to be defined as “specialty.” The film whisks audiences on a trip around the world, from farms in Honduras and Rwanda to coffee shops in Tokyo, Portland, Seattle, San Francisco and New York. Through the eyes and experiences of farmers and baristas, the film offers a unique overview of all the elements-the processes, preferences and preparations; traditions old and new-that come together to create the best cups. This is a film that bridges gaps both intellectual and geographical, evoking flavor and pleasure, and providing both as well.

The cultural roots of coal continue to permeate the rituals of daily life in Appalachia even as its economic power wanes. The journey of a coal miner’s daughter exploring the region’s dreams and myths, untangling the pain and beauty, as her community sits on the brink of massive change.

An investigation into the mysterious people who built Machu Picchu, the 15th-century Inca citadel located in southern Peru.

Based on her book, this World Premiere film follows Simone Biles through the sacrifices and hard work that led her to win 19 Olympic and World Championship medals.

There was a time, as recently as the 1980s, when storefronts, murals, banners, barn signs, billboards and even street signs were all hand-lettered with brush and paint. Today, the proliferation of computer-designed, die-cut vinyl lettering and inkjet printers has ushered a creeping sameness into our landscape. Fortunately, there is a growing trend to seek out traditional sign painters and a renaissance in the trade. SIGN PAINTERS is a history of the craft and features the stories of more than two dozen sign painters working in cities throughout the United States.

Nossa Chape tracks the rebuilding of the Chapecoense football club in Brazil after an airplane carrying the team crashed on November 28th, 2016, and left all but three of the players dead.

It all starts with one question: How will you make the world a better place? From household names to rising stars, meet the women who are changing our world. They live among primates in the jungle…dive the oceans for clues to the health of our planet, discover our human origins in African caves, and test new technologies in outer space. They break glass ceilings in newsrooms, boardrooms, courtrooms and classrooms. Women are reshaping our world, and how we see it, and here are their stories!

Wiz’s Weekender (1992) was a film ahead of its time, both in form and content. It engaged with contemporary issues that mainstream media were eager to sensationalise. Consequently, it was branded with an 18 certificate and banned by both the BBC and ITV, never reaching a wider audience. For the past three decades, Weekender has bubbled just below the surface, gaining genuine cult status and influencing a vast network of creators. In the run-up to its thirtieth anniversary filmmakers Tabitha Denholm and Adam Dunlop interviewed people involved in the project. I Am Weekender is built around those conversations.

Starting in 1988, a fierce battle raged between the two neighbouring states of Armenia and Azerbaijan (until 1991 part of the Soviet Union) over Nagorno-Karabakh. In 1994, an armistice gave control of Karabakh and the Azeri territory in-between to Armenia. Director Vadan Hovhannisyan shows the footage he shot as an independent war reporter on the front 12 years ago. He runs across the battlefield with a shaky camera, under a fierce shower of bullets. Scrawny soldiers with sunken eyes spend their days smoking, waiting and taking cover in trenches. Fallen comrades are carried down forest paths. Then, Hovhannisyan revisits the soldiers now, bringing prints of stills and frontline footage on his laptop. Although they have put on some weight, many of them are “victims of the peace,” as Hovhannisyan calls it in his voice-over.