A story of the most important document in sports history — James Naismithandapos;s original rules of basketball – and the quest to return it home.

WWII from Space delivers World War II in a way you’ve never experienced it before. This HISTORY special uses an all-seeing CGI eye that offers a satellite view of the conflict, allowing you to experience it in a way that puts key events and tipping points in a global perspective. By re-creating groundbreaking moments that could never have been captured on camera, and by illustrating the importance of simultaneity and the hidden effects of crucial incidents, HISTORY presents the war’s monumental moments in a never-before-seen context. And with new information brought to the forefront, you’ll better understand how a nation ranked 19th in the world’s militaries in 1939 emerged six years later as the planet’s only atomic superpower.

The story of the extraordinary final chapter of Freddie Mercury’s life and how, after his death from AIDS, Queen staged one of the biggest concerts in history, the Freddie Mercury Tribute Concert at Wembley Stadium, to celebrate his life and challenge the prejudices around HIV/AIDS. For the first time, Freddie’s story is told alongside the experiences of those who tested positive for HIV and lost loved ones during the same period. Medical practitioners, survivors, and human rights campaigners recount the intensity of living through the AIDS pandemic and the moral panic it brought about.

Buried Country was a cross-media juggernaut – book, film, CD – that first came out in 2000. The book was published by Pluto Press, beautifully designed by Wendy Farley; the documentary was produced through Film Australia/SBS TV, and directed by Andy Nehl, shot by Warwick Thornton and narrated by Kev Carmody

From South London spivs to the upper reaches of the 1960s society, this extraordinary true story reveals who stole the World Cup trophy in the lead-up to England’s triumph in 1966.

Watch clowns, acrobats and sword swallowers train and compete for the top prize at the grandest of circus festivals held in Monte Carlo. A FilmBuff Presentation.

Every year tiger sharks gather in big numbers in Maui. What’s the cause? It’s a mystery that’s a decade in the making. Now, a team of fearless shark scientists gets hands-on with one of the ocean’s largest predators to find out. That means free diving, face-to-face and unprotected. But these young women will do whatever it takes to get the data they need to crack the case.

An English couple, a leading London lawyer and his wife re-define later life by motoring rural India in their battered 1936 Rolls Royce, falling into company with tea-wallahs and maharajahs, dodging tribal conflicts and battling with border-officials to get to a photography conference/human rights festival in Bangladesh.

Florence Foster Jenkins is known as “the worst singer of all times” and yet she is a cult figure whose recordings still outsell many contemporary singers. Opera superstar Joyce DiDonato interprets the flamboyant “queen of dissonance”. The involvement of the celebrated virtuoso makes it possible to contrast two different musical perspectives and gives viewers a vivid impression of the film’s key conflict between inner delusion and external reality.

Using home videos recorded by her voice coach, Diana takes us through the story of her life.

Follows Taylor Swift and Travis Kelceandapos;s high-profile romance, exploring the line between real feelings and media attention, questioning the longevity of their relationship.

This time-lapse documentary follows the last years of former President Václav Havel’s life, creating a multi-layered portrait of a world-famous political icon and important playwright, but also an ordinary man plagued by health problems. Havel allows the filmmakers a glimpse behind the scenes of his life, revealing purely personal moments that present him in previously unrecognised contours. With a sense of humour, he reflects on his political legacy and universal human issues. The central motif is formed by the parallels between Havel’s life and the successful play Leaving, which Havel always wanted to direct as a film adaptation.