A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.
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In 1978, when the push to decriminalise homosexuality has stalled, a group of activists decide they must make one final attempt to celebrate who they are. Led by former union boss, Lance Gowland, they get a police permit and spread the word. On a freezing winter’s night, they cloak themselves in fancy dress, join hands, and parade down oxford street. But they have no idea that angry police lie in wait, and the courage they find that night will finally mobilise the nation.
A husband and wife are forced to re-evaluate themselves and their relationship through the reality of the Covid-19 lockdown.
A Stanford law-school dropout named Jillian escapes to the anonymity of Los Angeles to figure out what she wants to do with her life, and on the day of her college boyfriend’s birthday, she finds herself stuck running an ice cream truck fending off locals and oddball friends alike. This one day spent in a truck on the streets of Los Angeles will wake Jillian from her aimless daze and make her see that life doesn’t stop just because you want it to.
Ellen believes she has the perfect life. When her new husband, Paul, isn’t traveling on business, he dotes on her and her daughter. But after a stranger is caught prowling around their house, things don’t add up. Why is Paul always away on business? And did he know the prowler? It’s as if something, or someone, is taking over his priorities. Ellen begins to discover a web of lies that she must expose to in order to free herself and her daughter. That is, if Paul doesn’t stop her first.
Gabriel Iglesias entertains a packed house at El Paso’s Theatre in this Comedy Central special. For I’m Not Fat, I’m Fluffy, the comedian reaches new heights of hilarity, providing eerily perfect imitations and tales too tall not to be true. He also adds a new step to his five levels of fatness, and the sixth level is sure to leave audiences rolling in the aisles.
An American couple, Paul and Marianne, spend their vacation in Italy and experiences trouble when the wife invites a former lover and his teenage daughter to visit, which leads to jealousy and dangerous sexual scenarios.
For Marisol Rivera, a first generation Mexican-American, college is everything she’s worked toward. She spent mornings cleaning horse stalls and evenings studying. Now, with a scholarship in hand, she’s ready to leave Southwest Texas and begin her new life. However, when Marisol is falsely accused of a crime, she learns a heartbreaking truth: she’s undocumented. Forced to go on the run, Marisol discovers a kind America amidst a harsh bureaucratic system. A coming of age film through the lens of immigration, Marisol critically examines systemic oppression and the causality of racism.
Air Force Major Lloyd Gruver (Marlon Brando) is reassigned to a Japanese air base, and is confronted with US racial prejudice against the Japanese people. The issue is compounded because a number of the soldiers become romantically involved with Japanese women, in defiance of US military policy. Ordinarily an officer who is by-the-book, Gruver must take a position when a buddy of his, an enlisted man Joe Kelly (Red Buttons) falls in love with a Japanese woman Katsumi (Miyoshi Umeki) and marries her. Gruver risks his position by serving as best man at the wedding ceremony.
About a king who attempts to lead his displaced people out of exile, and those who play a role in his mysterious plans.
A traumatized Vietnam war veteran finds out that his post-war life isn’t what he believes it to be when he’s attacked by horned creatures in the subway and his dead son comes to visit him…
SHOOTING FOR SOCRATES is a David Vs. Goliath set in Belfast against the backdrop of the 1986 World Cup. It tells the story of a momentous time in Northern Ireland’s football history through the eyes of players, fans and the media. The film also follows the lives of passionate football supporter Arthur and his son Tommy from East Belfast. The lead up to a momentous day in the life of a young boy (his 10th birthday) mirrors the build up to the big day for the Northern Ireland football team as they play the greatest match of their lives.
