A meddling man and woman determined to stop a wedding for the good of the bride and groom instead wind up falling in love with each other.
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An amateur historian defies the academic establishment in her efforts to find King Richard III’s remains, which were lost for over 500 years.
A documentary on the life of the people of the Aran Islands, who were believed to contain the essence of the ancient Irish life, represented by a pure uncorrupted peasant existence centred around the struggle between man and his hostile but magnificent surroundings. A blend of documentary and fictional narrative, the film captures the everyday trials of life on Ireland’s unforgiving Aran Islands.
Fourteen years after the events of the first film, a series of encounters between people in Britain reminds us that in these different times Love, actually exists.
Starting from childhood attempts at illustration, the protagonist pursues his true obsession to art school. But as he learns how the art world really works, he finds that he must adapt his vision to the reality that confronts him.
In the remote and undeveloped eastern Black Sea region, a six-year-old boy (Yusuf) wanders through the woods searching for his lost father, trying to make sense of his life.His father is a beekeeper whose bees have disappeared unexpectedly, threatening his livelihood. A bizarre accident kills the father.There is little dialogue or music in the film. The three main characters (Yusuf and his parents) are all fairly taciturn, and the soundtrack is filled out with the sounds of the forest and the creatures that live there.The environment is a recurring theme.
After spending two years in prison, Harry Barber is released, bitter and disillusioned. He then gets involved with a simple kidnapping plot which turns out to be more complex than he imagines.
If Bugs Bunny were to direct his signature inquiry–“What’s up, doc?”–toward the modern-day Warner Bros. creative team, he wouldn’t be far off. For 1001 Rabbit Tales, they’ve doctored up a batch of classic cartoons featuring the carrot muncher and his bumbling comrades and bundled them, near seamlessly, into a feature-length film. Here’s the premise: Bugs and Daffy, both book salesmen, are competing to sell the most copies of a kids’ book. Instead of burrowing a beeline to his sales territory (he should have made a left at Albuquerque), Bugs ends up in the castle of Yosemite Sam, here a harem-leading honcho. Sam’s pain-in-the-spurs son, Prince Abalaba, needs somebody to read him stories; Bugs, who’d sooner take the job than suffer the alternative, that involving being boiled in oil, signs on.
Siblings Mimi and Luke unwittingly resurrect an ancient alien overlord. Using a magical amulet, they force the monster to obey their childish whims, and accidentally attract a rogues’ gallery of intergalactic assassins to small-town suburbia.
A man on his death bed relives memories of a past relationship and struggles with his own life choices. As he moves through the consequences of his decisions, he deals with regret and the possibilities of what could’ve been, all while coming to terms with his fate.