Jimmy Erskine is the most feared theatre critic of the age. He lives as flamboyantly as he writes and takes pleasure in savagely taking down any actor who fails to meet his standards. When the owner of the Daily Chronicle dies, and his son takes over, Jimmy quickly finds himself at odds with his new boss and his position under threat. In an attempt to preserve the power and influence he holds so sacred, Jimmy strikes a Faustian pact with a struggling actress, entangling them and the boss in a thrilling but deadly web of desire, blackmail, and betrayal.

After John’s absent father is struck by a stray bullet, Primo takes it upon himself to verse the young boy in the code of the streets—one founded on respect and upheld by fear. A member of the Bloods since the age of twelve—both in the film and in reality—the streets of Brooklyn are all Primo has ever known. While John questions whether or not to enter into this life, Primo must decide whether to leave it all behind as he vows to become a better husband and father. Set during those New York summer weeks where the stifling heat seems to encase everything, Five Star plunges into gang culture with searing intensity. Director Keith Miller observes the lives of these two men with a quiet yet pointed distance, carefully eschewing worn clichés through its unflinching focus. Distinctions between fiction and real life remain intentionally ambiguous, allowing the story of these two men to resonate beyond the streets, as they face the question of what it means to be a man.

EDITH: VOLCANO ASCENT documents the journey of a small team attempting to set a world altitude driving record on Chile’s Ojos del Salado, the highest active volcano on Earth, in a specially modified Porsche 911 named Edith.

A teenage girl, Jessica, befriends a teenage boy called Tom, who is bullied by a local gang. She is abused by Jack, who is both her neighbour and school teacher, and Tom is sexually abused by his father. Together they bond in the woods, creating a private reality that no-one else can enter.

Agustín forgets things; he is aging and he knows it. María is never alone: she watches over everyone, sleeps very little, and works too much. She’s increasingly overwhelmed. One day, on impulse, María decides to abandon Agustín.

Last Call follows a suicidal alcoholic on the anniversary of his son’s death. When he attempts to call a crisis hotline, a misdial connects him with a single mother working as the night janitor at a local community college.

During Nazi occupation, red-headed Bent Faurschou-Hviid (“Flame”) and Jørgen Haagen Schmith (“Citron”), assassins in the Danish resistance, take orders from Winther, who’s in direct contact with Allied leaders. One shoots, the other drives. Until 1944, they kill only Danes; then Winther gives orders to kill Germans. When a target tells Bent that Winther’s using them to settle private scores, doubt sets in, complicated by Bent’s relationship with the mysterious Kitty Selmer, who may be a double agent. Also, someone in their circle is a traitor. Can Bent and Jørgen kill an über-target, evade capture, and survive the war? And is this heroism, naiveté, or mere hatred?

The relationship between Ed, a married astronomer and Amy, his lover, who spend their years apart, is based only on phone calls and texts. One day Amy begins noticing something strange in Ed’s messages.

In 1974, a Boston Irish cop confronts fierce social pressure after being assigned to protect black high school students as they are bused into all-white South Boston High.

Based on a Japanese manga, “Kanna-San, Daiseikou Desu,” this story revolves around Kang Han-na (Kim Ah-jung), an overweight phone sex employee and secret vocalist for Ammy, a famous Korean pop singer who actually lip syncs as she cannot sing. After getting humilitated publicly by an ungrateful Ammy, Han-na undergoes an extreme makeover to become a pop sensation herself.

Becca, Adam and their 5-year-old daughter Acie are a perfect family until a tragic accident during a 4th of July celebration kills their father. Struggling with grief, Becky decides she needs to leave the family farm and all its memories. She leaves Acie with her grandfather Ben and visits with her friend from school, June. With all the best intent, June offers Becky plenty of distraction from her family life. Fueled by her anger at G*d and loss of faith, Becky starts drinking and making other self-destructive choices. Then, after Becky is arrested, Ben threatens to keep Acie until Becky is back on track. A chance encounter in a bus station with a traveler gives Becky what she needs to restore her faith and reunite with her family.

Chow returns to play Ko Chun, a skilled gambler who now lives in retirement in France. Wu Xingguo plays an evil gangster who forces Ko out of retirement by killing his pregnant wife. Ko is forced to team up with a variety of other people to win out in the end. Wu Chien-lien plays Chow’s romantic interest, Chingmy Yau plays a Taiwanese femme fatale, and Tony Leung provides much of the laughs.