Over 30,000 bikers turned up in 1998 to celebrate the 25th anniversary of Stone and recreate the funeral scene.
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Documentary about British fashion designer Ozwald Boateng.
Billy Connolly invites us to his newly adopted home of the Florida Keys for an intimate look at the life he leads since deciding to step back from stand-up comedy.
Can a newly married couple survive when every living necessity can only be purchased with ‘cryptocurrency’? Married less than two weeks, and fresh off their honeymoon, Austin and Beccy Craig embark on an adventure to find out.
A set-up for an experiment in an empty room. Former inmates reconstruct an Israeli secret service interrogation centre. These Palestinian men use role play to come to terms with their memories and the humiliation they have experienced.
A feature length documentary shot in Iceland on mediums and the relationship between humans and invisible beings such as elves ghosts, angels, water monsters and extra-terrestrials. The film is a journey to the frontiers of life questioning the scope of our existence. Are we alone in the universe? If life exists in other dimensions, it’s worth knowing more.
Leonhard Lapin is the classic and the enfant terrible of Estonian contemporary art, constantly followed by scandals, lewd legends and envious grumbling. Lapin confidently steps on the cornea of mediocrity, enjoying the situation to the fullest. Loved by his muses, the artist is not ashamed of his dalliances. He still has plenty at the grand old age of 70. The new Estonian film opens the doors to a disappearing Bohemianism, in which racy vocabulary reigns instead of political correctness.
Documentary of the making of Michael Jackson’s Captain EO film for the Disney theme parks.
The local train is a sight to behold in the morning, overloaded with crowds fighting to get inside. A special compartment reserved for women appears as a temporary oasis – a haven for solitude and contemplation. Director Rebana Liz John questions the women, who reveal what it means to keep ambitions alive within an oppressive patriarchal system. Black and white imagery evocatively captures the details of the women’s experience in this world. They reflect on their lives, across generations, with humour, disappointment and defiance, forming a complex tapestry whose common ground is endurance and survival.
The sensational follow-up to “London in the Raw,” “Primitive London” sets out to reflect society’s decay through a sideshow spectacle of 1960s London depravity—and manages to outdo its predecessor. Here, we confront mods, rockers and beatniks at the Ace Café, cut some rug with obscure beat band The Zephyrs, smirk at flabby men in the sauna and goggle at sordid wife-swapping parties as we discover a pre-permissive Britain still trying to move on from the post-war depression of the 1950s.
Thirty-five years after it was made, the climatic car chase scene in The French Connection is still jaw-dropping in its suspense and execution. Director William Friedkin recounts how he created one of the greatest action sequences ever.
New Yorker Kathryn has the deadly disease ALS and is completely paralyzed. She can only communicate by pointing out letters with her eyes on a special keyboard and she needs 24-hour care. It’s a horrific situation that Kathryn puts into words incisively and pragmatically. The only reason she hasn’t asked to be taken off life support yet, she says, is that she isn’t ready to say goodbye to her children. She wants at least to experience her daughter Minou’s wedding day.
Richard Atkins, the singer and songwriter of the early 70’s California Pop Duo, ‘Richard Twice’ was on his way to stardom and a huge career in the music business when he mysteriously walked away from it all.