A documentary detailing the epic Rogues’ Gallery of DC Comics from The Joker and Lex Luthor, Sinestro, Darkseid and more, this documentary will explore the Super Villains of DC Comics.

Captures the laughter, energy and mayhem from Hart’s 2012 “Let Me Explain” concert tour, which spanned 10 countries and 80 cities, and generated over $32 million in ticket sales.

More than 65 million people around the world have been forced from their homes to escape famine, climate change and war, the greatest displacement since World War II. Filmmaker Ai Weiwei examines the staggering scale of the refugee crisis and its profoundly personal human impact. Over the course of one year in 23 countries, Weiwei follows a chain of urgent human stories that stretch across the globe, including Afghanistan, France, Greece, Germany and Iraq.

What is money? What are debts? What are the consequences of both? And how can images be found for them? In Oeconomia, Carmen Losmann undertakes a journey in the strategic heartlands of neoliberal policy.

Horror fan Tal Zimerman examines the psychology of horror around the world to find out why people love to be scared.

KINGDOM OF SHADOWS follows three people grappling with the hard choices and destructive consequences of the U.S.-Mexico “drug war”. Filmmaker Bernardo Ruiz weaves together the seemingly disconnected stories of an activist nun in deeply scarred Monterrey, Mexico, a U.S. Federal agent on the border, and a former Texas smuggler to reveal the human side of an often-misunderstood conflict that has resulted in the “disappearance” of more than 23,000 people in Mexico—a growing human rights crisis that only recently has made international headlines.

With the solar eclipse in 1999 as her mirror image, an exiled film artist turns her analogue film camera on her family in ex-Yugoslavia in a work that maps how a dark past remains embedded in the present.

Ted ‘Black Lightning’ Patrick’s practice of ‘deprogramming’, also known as ‘reverse brainwashing’, started in the early 1970s and quickly snowballed into a vast underground movement composed of concerned parents, ex-cultist-turned-deprogrammers and some sympathetic law-enforcers whose mission was to physically and mentally remove individuals from cults.

Pedro Opeka declined an opportunity to play professional soccer in his native Buenos Aires and realize his childhood dream. He chose instead to become a missionary and live in one of the poorest countries in the world. The son of a bricklayer, he convinced destitute families living in Madagascar’s largest landfill that he could teach them how to build their own houses and, in the process, build their dignity. After 30 years of construction, fighting increasing poverty and political instability, Father Pedro has created a highly functional city within this dysfunctional island nation. His mission is to prepare the children he saves to one day save their own country.

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In 1997, 17-year-old suburban Buenos Aires filmmakers Pablo Parés and Hernan Sáez pooled $450 to co-write/produce/direct and star in a shot-on-VHS zombie epic of such flesh-ripping, gore-spewing greatness that it instantly drew global cult acclaim and redefined the possibilities of extreme DIY horror. Over the next 20 years, Parés, Sáez and their friends would create two increasingly ambitious – and equally brilliant – viscera-soaked sequels (and several short films) that made them “Argentinian George Romeros who’ve built a small empire of gore flicks”

A comedic, brutally honest documentary following self-destructive TV writer Dan Harmon (NBC’s Community) as he takes his live podcast on a national tour.