It’s the final chapter in the cult classic Class of Nuke’Em High Trilogy, and this time the fate of Tromaville hangs in the balance! Following the destruction of the Nukamama Power Plant by the lovable and horribly mutated toxic squirrel Tromie. Roger Smith (Brick Bronsky) and his half-subhumanoid son Adlai (also played by Brick Bronsky) are working to rebuild Tromaville into a place where human and subhumanoid can live together in peace. Unbeknownst to them, Adlai’s twin brother Dick (again played by Brick Bronsky!), kidnapped at birth and raised by the evil Power Clite, has plans to regain contol of the Subhumanoids and turn Tromaville into a nuclear waste dump. In a showdown for the ages, “The Good, the Bad and the Subhumanoid” face off in an explosive sci-fi battle of epic proportions!

Two detectives investigate the strangulation murder of a man whom everyone seemed to like.

Studying in Hong Kong but living in Shenzhen, Peipei has spent 16 years in her life travelling between these two cities. To realize the dream of seeing snow in Japan with her bestie, Peipei joins a smuggling gang and uses her student identity to smuggle iPhones from Hong Kong to Mainland. Her family life and friendships begin to fall apart. The daily life of Peipei starts to get out of control.

A fisherman’s son is offered the ultimate privilege to study at the Al-Azhar University in Cairo, the epicenter of power of Sunni Islam. Shortly after his arrival, the university’s highest ranking religious leader, the Grand Imam, dies and the young student becomes a pawn in a ruthless power struggle between Egypt’s religious and political elite.

Ibrahim came to Spain from Guinea Conakry and now his roots are in Madrid, where he lives with Mariama and works as a bricklayer. One day, the police arrest him and Ibrahim, who lacks a residence permit, is deported to his country. From that moment on, his only objective will be to return to Spain to reunite with Mariama and her daughter about to be born. After managing to cross Africa, he settles with some companions in Mount Gurugú, an immigrant camp that separates Africa from Europe. There he meets Aminata, a girl determined to jump the fence and reach Spain. But that is a physical feat that is not within everyone’s reach.

Gurus in the late Goryeo dynasty try to obtain a fabled, holy sword, and humans in 2022 hunt down an alien prisoner that is locked in a human’s body. The two parties cross paths when a time-traveling portal opens up.

During the month of October 1943, the Danish resistance movement and just plain ordinary citizens joined together in staging a mass exodus by fishing boats to neutral Sweden of their Jewish countrymen, practically on the eve of the Nazi’s planned round-up and delivery to concentration camps of all Jews. Story is told from the point of view of one Jewish family.

Police Officer So-Eun takes part in the investigation and acts as stand-in for a kidnapped child’s mother. So-Eun receives a shocking phone call. Meanwhile, Hye-Jin is a mysterious person, who knows a hidden secret behind the cases.

The film is based on a true story: the tragic life of China’s first prima donna of the silver screen, Ruan Lingyu. This movie chronicles her rise to fame as a movie actress in Shanghai during the 1930s. Actress Maggie Cheung portrayed Ruan in this movie. Nicknamed the “Chinese Garbo,” Ruan Lingyu began her acting career when she was 16 years old and committed suicide at age 24. The film alternates between present scenes (production talks between director Kwan, Cheung, and co-star Carina Lau, interviews of witnesses who knew Ruan), re-creation scenes with Cheung (as Ruan, acting inside this movie), and extracts from Ruan’s original films including her final two films The Goddess and New Women.

With 8 ½ Frederico Fellini leaves a self-portrait where dreams and reality are a mix. With help from a most excellent cast and unique scenery this self reflecting film is one of his master works.

Danni is a young skinhead girl who’s struggling with her home life and falls in with the wrong crowd. When Terry Harrison, her late brother’s best friend arrives back in town, it’s up to him to try and guide her back onto a better path before she gets into some trouble no one can get her out of.

A resourceful boy creatively uses poetry to survive when his mother, a disturbed avant garde painter, locks him in a puppet box and builds an art installation around his imprisonment.