A family moves into a Model Home and finds more trouble than they bargained for when the mother begins modeling the rest of their lives.

A disturbed woman and a violent lunatic walk the same path in this thriller from Swedish director Kristian Petri. Monia is a businesswoman who has been hired to work for a large corporation based in Gothenburg. One evening, while having drinks with her colleagues, Monia steps outside for some air and she happens upon a man who has been brutally stabbed by a serial killer on the loose. Monia, who feels a curious emotional distance from the world around her, isn’t sure what to make of this incident at first, but she can’t get the violent image out of her mind, and over the next several days she keeps stumbling upon victims of the killer’s handiwork. No one finds any of this remarkable besides her friend Frank, but in time she begins crossing paths with a curious man who seems to appear at the same crimes scenes she observes.

When teenage Molly Hartley moves to a new town, she’s haunted by terrifying visions that may have to do with dark secrets from her past. Something evil lurks just beneath the lush surfaces of her private-school world, and it holds the rights to her very soul. On the eve of her 18th birthday, Molly is about to discover the truth of just who or what she is destined to become.

Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician’s attention is pricked by the tattoo of Botticelli’s ‘Birth of Venus’ inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he’s forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he’s been searching for. He find redemption and peace.

Ava is recovering from demonic possession. With no memory of the past month, she must attend a Spirit Possessions Anonymous support group to figure out what happened. Ava’s life was hijacked by a demon, now it’s time to get it back.

Spenser — an ex-cop better known for making trouble than solving it — just got out of prison and is leaving Boston for good. But first he gets roped into helping his old boxing coach and mentor Henry, with a promising amateur. That’s Hawk, a brash, no-nonsense MMA fighter convinced he’ll be a tougher opponent than Spenser ever was. When two of Spenser’s former colleagues turn up murdered, he recruits Hawk and his foul-mouthed ex-girlfriend Cissy, to help him investigate and bring the culprits to justice.

Up until now, marriage has been smooth sailing for Jennifer Jones. But after suffering a miscarriage, she begins to question her happiness and whether the spark in her marriage has dimmed. She shrugs it off as just being the 7-year itch and gives her husband, Freddy, who is content in their relationship, the benefit of the doubt. Things take an unexpected turn when Jennifer catches Freddy in a few unassuming lies. And when a sudden accident throws Freddy into a coma, Jennifer is left to pick up the pieces and reconcile everything for herself. With Freddy in hospital, a larger story begins to unfold – something that might just be Jennifer’s worst nightmare – prompting her to question if she ever really knew the man she was married to.

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It’s 3:07am and two girls burst into a run down London toilet. Joanne is crying her eyes out and her clothing is ripped. Kelly’s face is bruised and starting to swell. Duncan Allen lies in his bathroom bleeding to death. Duncan’s son finds his father and wants answers. Derek – Kelly’s pimp – needs to find Kelly or it will be him who pays.

Two narratives clash violently in this meditative portrayal of disaffected youth set in a graveyard of abandoned mobile homes known as Sunset Edge. We follow a group of four aimless, suburban teenagers – they skateboard the park, sleep in the sun, and rummage through the decaying remains completely unaware that this is where a lonesome teen is confronting a horrific past. Day turns to night, people disappear, and the secrets of Sunset Edge are revealed in a paralyzing finale.

On the night that Jasper Jones, the town’s mixed race outcast shows him the dead body of young Laura Wishart, Charlie’s life is changed forever. Entrusted with this secret and believing Jasper to be innocent, Charlie embarks on a dangerous journey to find the true killer. Set over the scorching summer holidays of 1965, Charlie defeats the local racists, faces the breakup of his parents and falls head over heels in love as he discovers what it means to be truly courageous.

When notorious criminal Jacob Sternwood is forced to return to London, it gives detective Max Lewinsky one last chance to take down the man he’s always been after.