These young women are an odd couple. Julie is quick-witted and stubborn. She celebrates idleness and even voluntarily checks into a psychiatric clinic. Nurse Agnes, on the other hand, is always eager to do the right thing and to meet everyone’s expectations of her, which is not always easy. When the two of them accidentally meet one day, odds are they won’t get along. But they quickly feel attracted to one another, despite their enormous differences.
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Donna has recently been convicted of “Driving While Impaired” and is ordered to perform community service at the local animal shelter. When an elderly dog is scheduled to be euthanized, Donna decides to take the dog home and quickly realizes his companionship can ease her loneliness. In a futile attempt to fill the emptiness she feels, Donna begins to take home more and more animals and she is soon in over her head.
Based on a true story, ‘Tot altijd’ introduces us to a band of friends in the eighties, who spend their days enjoying their youth and turbulent (love) life. Years later, Thomas, a recent medicine graduate and Mario’s closest friend, gets stuck between a rock and a hard place when he diagnoses Mario with MS (Multiple Sclerosis). Though not a fatal disease, it slowly consumes the patient’s bodily functions and – in some cases – their minds. Mario becomes the leading spokesman for the action group “Waardig Sterven” (“Dignified Death”) in support of the Belgian legalisation of euthanasia. Thomas does everything in his power to avoid losing his best friend, but also can’t stand the sight of his continued degeneration…
During the course of an ordinary week in Hollywood, movie producer Ben (Robert De Niro) must navigate his way through shark-infested waters as he struggles to complete his latest projects. A demanding studio boss (Catherine Keener) demands extensive changes to a movie starring Sean Penn, while another chief won’t greenlight a project unless star Bruce Willis shaves his beard. Meanwhile, Ben tries to reconcile with his wife and maintain a relationship with his young daughter.
When a compromising video of sixteen-year-old Deanna Lambert hits social media, her teenage life is changed forever. Overcoming bullies, hurtful school-yard taunts and the enduring rage and disappointment of her father, Deanna longs to escape a life defined by her past.
A girl from New York attends a college in Atlanta to join their once-famous marching band.
Upon the loss of his mother, an Egyptian teenager leaves his home of Cairo to live with his father in Toronto. Parachuted into the underground queer nightlife in Toronto, he confronts his mother’s death, much to his father’s disapproval, by taking up the ways of drag and becoming Queen Tut.
Clara is studying for a Ph.D in philosophy in Berlin. In this middle-class male academic environment, she feels pushed to one side. She returns to her childhood village in former East Germany for her mother’s birthday, and becomes aware that a distance has grown between her and her family.
It’s 1959 in a seedy bar in Philadelphia, and Billie Holiday is giving one of her last performances interlaced with salty, often humorous, reminiscences to project a riveting portrait of the lady and her music 4 months before her death.
A young woman (Sandra Bullock) mysteriously disappears, sending her boyfriend Jeff (Kiefer Sutherland) on a years-long quest to find her. Not even a new love (Nancy Travis) can keep him from his obsessive search. All the while, the calculating psychopath (Jeff Bridges) who kidnapped his girlfriend stalks Jeff, ultimately taking him through the exact same steps that led to the crime. In order to find out what happened, Jeff must put his own life in the hands of this devious stranger.
Youngsters called Kildren, who are destined to live eternally in their adolescence. The Kildren are conscious that every day could be the last, because they fight a war as entertainment, organized and operated by adults. But as they embrace the reality they are faced with, they live their day-to-day lives to the full.